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Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts
CELEBRANDO EL ORGULLO GAY: HAPPY PRIDE, NYC!
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Thursday, June 25, 2015
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Happy Gay Pride!. No solo Nueva York sino los Estados Unidos y el mundo entero está celebrando los avances en igualdad, respeto y protección bajo la ley de la comunidad LGBT. Mucho hemos logrado y el horizonte luce esplendoroso. En estos mismos días se espera un pronunciamiento de la Corte Suprema que, todos esperamos, allane aún más el camino para 'Completar el Sueño' para todos.
Esta semana celebramos el Orgullo Gay y renovamos votos para continuar hacia adelante con una cartelera de eventos que ha comenzado, por primera vez, con una noche de película (Finding Nemo) en familia en el Muelle 63 y una gigantesca y deliciosa Torta Arcoiris para celebrar la Semana del Orgullo Gay.
Aqui los eventos oficiales resaltantes:
1- The Rally: Viernes 26 en el Muelle 26 (Laight Street)
2- The Teaze: Sábado 27 en el Muelle 26 (Laight Street)
3- VIP RoofTop Party: S®abado 27 en Hudson Terrace
4- The March: Domingo 28. De la Calle 36/5ta a la Calle Christopher.
5- Pridefest: Domingo 28, Hudson Street.
6- Dance on The Pier: Con Ariana Grande! > Domingo 28 en el Muelle 26 (Laight Street)
Feliz Orgullo Gay! Happy Pride!
CINE > A LIFE LESS ORDINARY: LAS PELICULAS DE JOAQUIM PINTO IN NYC
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Wednesday, August 6, 2014
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cine,
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latinos,
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nino leonel,
nyc,
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raul ruiz,
What Now Remind Me
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These are the details for the upcoming series A Life Less Ordinary: The Films of Joaquim Pinto (August 8-12), timed to a one-week exclusive theatrical run of the director’s latest film, What Now? Remind Me, beginning on Friday, August 8 at Lincoln Center (photo). This is the first U.S. retrospective of Pinto’s work and includes most of his films as a director along with several collaborations that are touchstones in his rich and singular career.
Joaquim Pinto (a sound recordist and designer turned producer and director) has collaborated with some of the greatest filmmakers, including Raúl Ruiz, Werner Schroeter, and João César Monteiro. His own films, unseen for years even in his native Portugal, are considered major achievements in their own right—a Portuguese critic recently described him as “the heart of Portuguese cinema for most of the last 30 years.” Deeply personal, combining image and sound in singularly sophisticated ways, Pinto’s work concerns both the cosmic and the carnal—the domain of the sacred as well as of the flesh.
MOVIES AND TIMES:
PORTUGAL | PORTUGUESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 164 MINUTES
First-person filmmaking at its most intimate and expansive, Joaquim Pinto’s What Now? Remind Me emerged from a year in which the director—documentarian, producer, sound designer, and Lisbon film scene stalwart—endured an experimental clinical trial for HIV patients. Although the film doesn't flinch at describing the pain and despair of chronic illness, it remains above all a testament to the joys of a fully lived life, and to the inseparability of art and life. Darting between vivid scenes of the present and bittersweet recollections of the past, What Now? reveals Pinto’s day-to-day existence with his beloved husband, Nuno, and reaches back to his artistic coming of age, capturing a love of cinema that led to a wide network of friendships and collaborations. Confessional but never solipsistic, looking beyond individual experience toward history and the world, this moving film becomes an all-encompassing meditation on what it means to be alive. Winner of the Jury Prize at the 2013 Locarno Film Festival and a selection at the 51st New York Film Festival > August 8-12.
* The New Testament of Jesus Christ According to John / O Novo Testamento De Jesus Cristo Segundo João
Joaquim Pinto & Nuno Leonel, Portugal, 2013, DCP, 128m
Portuguese with English subtitles
One of Portugal’s most prominent and recognizable performers, Luís Miguel Cintra (a frequent player in the films of Manoel de Oliveira) reads the Gospel of John as images of natural splendor fill the screen. Providing no context outside of the gospel itself and letting the gravel and rhythm of Cintra’s voice take center stage, Pinto and Leonel find a soulful and familiar yet mysterious juxtaposition of words and images. In their directors’ statement, Pinto and Leonel write: “We are not theologians, nor do we belong to any religion, but just like everyone else, from those who call themselves Christians to those who declare themselves to be atheists and ‘free thinkers,’ we are all irrevocably steeped in twenty centuries of clericalism and Christian culture.”
> August 9, 12:30pm
* Rabo de Peixe
Joaquim Pinto & Nuno Leonel, Portugal, 2003, digital projection, 77m
Portuguese with English subtitles
Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community.
Screening with:
Sol Menor
Joaquim Pinto & Nuno Leonel, Portugal, 2007, digital projection, 7m
Portuguese with English subtitles.
This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook.
> August 8, 5:00pm
> August 10, 8:00pm
* Recollections of the Yellow House / Recordações da Casa Amarela
João César Monteiro, Portugal, 1989, 35mm, 122m
Portuguese with English subtitles
Pinto served as a producer on the late Monteiro’s masterpiece, a landmark of Portuguese cinema. This singularly morbid and perverse comedy chronicles the misadventures of João de Deus (played by Monteiro himself), a grizzled, depressive bachelor who lives in a seedy boarding house run by a tyrannical landlady. Equal parts Chaplin’s Little Tramp and Dostoevsky’s Underground Man, João battles possibly imaginary bedbugs and indulges his erotic fetishes while ruminating on illness and the prospect of death. Amid the deadpan hijinks and bleakly absurdist perspective, the director’s musical way with sound and image is evident everywhere.
> August 10, 5:30pm
* The Rose King / Der Rosenkönig
Werner Schroeter, West Germany/Portugal, 1986, 35mm, 106m
German, Portuguese, Italian, French, and Arabic with English subtitles
A tribute to Werner Schroeter’s muse, Magdalena Montezuma, this operatic procession of florid, rapturous images conveys an elliptical narrative rich with homoeroticism and Oedipal desire. Buoyed by a soundtrack that pairs Johann Strauss with Middle Eastern pop and juxtaposing the post-camp expressionism of Ron Rice and Jack Smith with the poetic cruelty of Jean Genet,The Rose King—which Pinto worked on as a sound designer—is widely regarded as Schroeter’s crowning achievement.
> August 11, 7:00pm
* Tall Stories / Uma Pedra no Bolso
Joaquim Pinto, Portugal, 1988, 35mm, 91m
Portuguese with English subtitles
Virtually unseeable for the last 25 years due to rights issues, Pinto’s beautiful feature-length debut is a coming-of-age tale about unconventional friendships and burgeoning sexuality. As punishment for his lack of interest at school, 12-year-old Miguel is forced to spend his summer vacation at his aunt Martha’s modest seaside boarding house. Upset at first by the prospect of staying in a place where nothing ever happens, the young boy befriends Luisa, a waitress who teaches him to dance, and João, a local fisherman. But the arrival of another guest, the mysterious Dr. Fernando, initiates a series of events that will disrupt the hotel’s equilibrium and Miguel’s peace of mind.
> August 8, 7:00pm
> August 10, 3:30pm
* The Territory
Raúl Ruiz, Portugal, 1981, 16mm, 100m
English and French with English subtitles
Pinto’s first sound-recording job and perhaps the only Raúl Ruiz film that could be described as containing a story “ripped from the headlines,” this philosophical horror flick (co-written by Gilbert Adair) tracks the descent of two American families into cannibalism during a camping trip in the south of France. Celebrated upon its release for the strangeness of its theological vision (reminiscent of that of former Ruiz collaborator Pierre Klossowski), The Territory explores the body as a site of desire and violence with Ruiz’s signature touch, yielding a slippery work that is mortifying, mystifying, and surprisingly funny.
> August 12, 7:00pm
* Twin Flames / Das Tripas Coraçao
Joaquim Pinto, Portugal, 1992, 35mm, 70m
Portuguese with English subtitles
Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements.
> August 9, 5:00pm
* Where the Sun Beats / Ondo Bato o Sol
Joaquim Pinto, Portugal, 1989, 35mm, 88m
Portuguese with English subtitles
Pinto’s sophomore feature patiently investigates the everyday life and psychosexual vacillations of Laura (Laura Morante), a woman caught in a web of verboten romance and incestuous desire. Pinto elliptically and delicately portrays the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother, Nuno. The alluring cast also features Inês de Medeiros (of Jacques Rivette’s The Gang of Four and several films by Pedro Costa) as Graça, a key player in the film’s game of libidinal cat-and-mouse. A strongly atmospheric work in which torrid intrigues emerge through allusion and insinuation, Where the Sun Beats finds Pinto exploring the self-thwarting ways of desire and the expressive potential of the unspoken.
> August 9, 3:00pm
Joaquim Pinto & Nuno Leonel, Portugal, 2013, DCP, 128m
Portuguese with English subtitles
One of Portugal’s most prominent and recognizable performers, Luís Miguel Cintra (a frequent player in the films of Manoel de Oliveira) reads the Gospel of John as images of natural splendor fill the screen. Providing no context outside of the gospel itself and letting the gravel and rhythm of Cintra’s voice take center stage, Pinto and Leonel find a soulful and familiar yet mysterious juxtaposition of words and images. In their directors’ statement, Pinto and Leonel write: “We are not theologians, nor do we belong to any religion, but just like everyone else, from those who call themselves Christians to those who declare themselves to be atheists and ‘free thinkers,’ we are all irrevocably steeped in twenty centuries of clericalism and Christian culture.”
> August 9, 12:30pm
* Rabo de Peixe
Joaquim Pinto & Nuno Leonel, Portugal, 2003, digital projection, 77m
Portuguese with English subtitles
Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community.
Screening with:
Sol Menor
Joaquim Pinto & Nuno Leonel, Portugal, 2007, digital projection, 7m
Portuguese with English subtitles.
This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook.
> August 8, 5:00pm
> August 10, 8:00pm
* Recollections of the Yellow House / Recordações da Casa Amarela
João César Monteiro, Portugal, 1989, 35mm, 122m
Portuguese with English subtitles
Pinto served as a producer on the late Monteiro’s masterpiece, a landmark of Portuguese cinema. This singularly morbid and perverse comedy chronicles the misadventures of João de Deus (played by Monteiro himself), a grizzled, depressive bachelor who lives in a seedy boarding house run by a tyrannical landlady. Equal parts Chaplin’s Little Tramp and Dostoevsky’s Underground Man, João battles possibly imaginary bedbugs and indulges his erotic fetishes while ruminating on illness and the prospect of death. Amid the deadpan hijinks and bleakly absurdist perspective, the director’s musical way with sound and image is evident everywhere.
> August 10, 5:30pm
* The Rose King / Der Rosenkönig
Werner Schroeter, West Germany/Portugal, 1986, 35mm, 106m
German, Portuguese, Italian, French, and Arabic with English subtitles
A tribute to Werner Schroeter’s muse, Magdalena Montezuma, this operatic procession of florid, rapturous images conveys an elliptical narrative rich with homoeroticism and Oedipal desire. Buoyed by a soundtrack that pairs Johann Strauss with Middle Eastern pop and juxtaposing the post-camp expressionism of Ron Rice and Jack Smith with the poetic cruelty of Jean Genet,The Rose King—which Pinto worked on as a sound designer—is widely regarded as Schroeter’s crowning achievement.
> August 11, 7:00pm
* Tall Stories / Uma Pedra no Bolso
Joaquim Pinto, Portugal, 1988, 35mm, 91m
Portuguese with English subtitles
Virtually unseeable for the last 25 years due to rights issues, Pinto’s beautiful feature-length debut is a coming-of-age tale about unconventional friendships and burgeoning sexuality. As punishment for his lack of interest at school, 12-year-old Miguel is forced to spend his summer vacation at his aunt Martha’s modest seaside boarding house. Upset at first by the prospect of staying in a place where nothing ever happens, the young boy befriends Luisa, a waitress who teaches him to dance, and João, a local fisherman. But the arrival of another guest, the mysterious Dr. Fernando, initiates a series of events that will disrupt the hotel’s equilibrium and Miguel’s peace of mind.
> August 8, 7:00pm
> August 10, 3:30pm
* The Territory
Raúl Ruiz, Portugal, 1981, 16mm, 100m
English and French with English subtitles
Pinto’s first sound-recording job and perhaps the only Raúl Ruiz film that could be described as containing a story “ripped from the headlines,” this philosophical horror flick (co-written by Gilbert Adair) tracks the descent of two American families into cannibalism during a camping trip in the south of France. Celebrated upon its release for the strangeness of its theological vision (reminiscent of that of former Ruiz collaborator Pierre Klossowski), The Territory explores the body as a site of desire and violence with Ruiz’s signature touch, yielding a slippery work that is mortifying, mystifying, and surprisingly funny.
> August 12, 7:00pm
* Twin Flames / Das Tripas Coraçao
Joaquim Pinto, Portugal, 1992, 35mm, 70m
Portuguese with English subtitles
Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements.
> August 9, 5:00pm
* Where the Sun Beats / Ondo Bato o Sol
Joaquim Pinto, Portugal, 1989, 35mm, 88m
Portuguese with English subtitles
Pinto’s sophomore feature patiently investigates the everyday life and psychosexual vacillations of Laura (Laura Morante), a woman caught in a web of verboten romance and incestuous desire. Pinto elliptically and delicately portrays the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother, Nuno. The alluring cast also features Inês de Medeiros (of Jacques Rivette’s The Gang of Four and several films by Pedro Costa) as Graça, a key player in the film’s game of libidinal cat-and-mouse. A strongly atmospheric work in which torrid intrigues emerge through allusion and insinuation, Where the Sun Beats finds Pinto exploring the self-thwarting ways of desire and the expressive potential of the unspoken.
> August 9, 3:00pm
For more info visit: FILMLINC
CELEBRANDO EL CINE LGBT: NEWFEST HIGHLIGHTS
Posted by LATINO EVENTS Y TESPIS MAGAZINE
on
Monday, July 21, 2014
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cine lgbt,
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La edición 26 del Festival LGBT NewFest comienza en pocos días y nos agarra, felizmente, justo cuando acabamos de lanzar nuestra propia sección LGBT en LatinoEvents. Desde estas páginas queremos ofrecerles una mirada a la experiencia LGBT Latina y global. El cine latino la explora cada vez más y presenta una realidad LGBT, muchas veces fuerte, siempre esperanzadora. El avance de los derechos, igualdad y respeto a la experiencia LGBT debe continuar y son películas como las aquí presentes y festivales como el NewFest que lo hacen posible.
El NewFest nos trae 16 películas, 5 documentales y un par de programas de cortos. De ellas, tenemos 5 producciones Latinas que no se deben perder. También hay un par de cortos y otras cuantas películas que les queremos resaltar. NewFest se celebra en el Lincoln Center del 24 al 29 de Julio.
Las producciones Latinas nos vienen de Argentina, Brasil y México: Futuro Beach (Karim Aïnouz, Brazil/Germany); I Am Happiness on Earth (Julián Hernández, Mexico); The Third One (Rodrigo Guerrero, Argentina); The Way He Looks (Daniel Ribeiro, Brazil) and What It Was.
Otras buenas opciones son GERONTOPHILIA, de Bruce LaBruce; LILTING, con Ben Whishaw; BLACKBIRD, con Mo’Nique y Isaiah Washington; JAMIE MARKS IS DEAD, con Judy Greer, Liv Tyler y Cameron Monaghan; y LYLE, con Gaby Hoffmann.
CARTELERA PRINCIPAL
Karim Aïnouz, Brazil/Germany, 2013, DCP, 106m
German and Portuguese with English subtitles
When Brazilian lifeguard Donato fails to save a swimmer from drowning, he seeks out the victim’s friend Konrad, a handsome German biker. The two men begin a passionate affair, and Donato soon decides to follow Konrad to Berlin. Years later, their seemingly peaceful life is threatened by a visitor from Donato’s past. Director Karim Aïnouz (Madame Satã) delivers a visually stunning, emotionally resonant tale about three men struggling across oceans of love, loss, and heartache. A Strand Releasing release.
July 24, 7:00pm (preceded by Achievement Award presentation)
* The Third One
Rodrigo Guerrero, Argentina, 2013, DCP, 70m
Spanish with English subtitles
An attractive older couple stumbles upon a flirtatious young man in a chat room and, after teasing some skin, convinces him to come over to their apartment for dinner. With fumbling honesty and no shortage of sexiness, The Third One celebrates the awkwardness and euphoria of a one-night stand gone right, culminating in an explicit, 10-minute threesome that’s as erotic as it is playful.
July 29, 9:30pm (Q&A with Rodrigo Guerrero)
* I Am Happiness on Earth
Julián Hernández, Mexico, 2013, 115m
Spanish with English subtitles
Julián Hernández, one of Mexico’s premier queer filmmakers (Raging Sun, Raging Sky), returns with this tale of a film director struggling with the line between his sexually charged reality and equally arousing cinematic creations. Will Emiliano be able to sustain his relationship, or will his lust for beauty and meaning lead him elsewhere? Furious couplings between gorgeous men include an exhilaratingly explicit play-within-a-play. Hernández’s boldly poetic romance compares with such films as Fellini’s 8½, Godard’s Contempt, and others exploring the connections between love, sex, creativity, and filmmaking.
July 26, 9:00pm
* What It Was
Julián Hernández, Mexico, 2013, 115m
Spanish with English subtitles
Julián Hernández, one of Mexico’s premier queer filmmakers (Raging Sun, Raging Sky), returns with this tale of a film director struggling with the line between his sexually charged reality and equally arousing cinematic creations. Will Emiliano be able to sustain his relationship, or will his lust for beauty and meaning lead him elsewhere? Furious couplings between gorgeous men include an exhilaratingly explicit play-within-a-play. Hernández’s boldly poetic romance compares with such films as Fellini’s 8½, Godard’s Contempt, and others exploring the connections between love, sex, creativity, and filmmaking.
July 26, 9:00pm
* The Way He Looks
Daniel Ribeiro, Brazil, 2014, DCP, 96m
Portuguese with English subtitles
Set to the bouncy beats of Belle and Sebastian, this euphoric, sun-kissed coming-of-age fable—a sensation at the 2014 Berlin Film Festival, where it won a Teddy Award and FIPRESCI prize—dances entirely to its own tune. Stuck fending off bullies and over-protective parents, Leonardo spends his days allowing his best friend Giovana to drag him around town. Being blind has always been an inconvenience for Leonardo, but his angsty adolescence gets a lift when the handsome and smooth-talking Gabriel turns down numerous offers from ogling girls to hang with Leonardo after school. The longer they spend together, the more apparent their shared attraction becomes—not just to them but to a spurned Giovana as well. As social pressure mounts on both to fit within their confined social boxes, the two must decide whether to ignore their feelings or to throw caution to the wind and admit that they might actually be falling in love. A Strand Releasing release.
July 29, 4:30pm (Q&A with Daniel Ribeiro)
Daniel Ribeiro, Brazil, 2014, DCP, 96m
Portuguese with English subtitles
Set to the bouncy beats of Belle and Sebastian, this euphoric, sun-kissed coming-of-age fable—a sensation at the 2014 Berlin Film Festival, where it won a Teddy Award and FIPRESCI prize—dances entirely to its own tune. Stuck fending off bullies and over-protective parents, Leonardo spends his days allowing his best friend Giovana to drag him around town. Being blind has always been an inconvenience for Leonardo, but his angsty adolescence gets a lift when the handsome and smooth-talking Gabriel turns down numerous offers from ogling girls to hang with Leonardo after school. The longer they spend together, the more apparent their shared attraction becomes—not just to them but to a spurned Giovana as well. As social pressure mounts on both to fit within their confined social boxes, the two must decide whether to ignore their feelings or to throw caution to the wind and admit that they might actually be falling in love. A Strand Releasing release.
July 29, 4:30pm (Q&A with Daniel Ribeiro)
* What It Was
Daniel Armando, USA, 2013, 85m
In Daniel Armando’s multilayered film, Adina, a successful Latina actress, returns to New York in the aftermath of her sister’s death and her marriage’s collapse. Unable to face her mother, she finds herself in a fog, drifting through the days. Memories dissolve into the present as she tumbles through a series of intense, complex connections with a sexy, butch body artist, a young college student, and a former girlfriend. With confident directing, assured performances, and intuitive editing and cinematography, What It Was masterfully conveys the emotional textures of Adina’s waking dream of a life.
July 26, 4:00pm (Q&A with Daniel Armando)
MORE HIGHLIGHTS
* Gerontophilia > Closing Night
Bruce LaBruce, Canada, 2013, DCP, 81m
Lake refuses to feel shame about his unquenchable appetite for older men. The handsome teen defiantly signs up as an orderly at a local nursing home and quickly falls for Mr. Peabody, a charming, flirtatious soul with one last wish. Forget everything you know about filmmaker Bruce LaBruce: in what is easily his most romantic work to date, he dares us to look beyond fetish to embrace the beauty of all stages of life.
July 29, 7:00pm (Q&A with Bruce LaBruce)
* Lilting
Hong Khaou, UK, 2013, DCP, 86m
English and Mandarin with English subtitles
The sudden death of Kai, a young London man, leaves his Chinese Cambodian mother Junn (Pei-pei Cheng) and his boyfriend Richard (Ben Whishaw) profoundly grieving. Feeling a strong sense of responsibility for Kai’s only family member, Richard reaches out to her. Though Junn speaks little English, her dislike of Richard is plain, and she responds with stony resistance. Since they share no common language, Richard hires a translator to facilitate communication, and the two improbable relatives attempt to reach across a chasm of misunderstanding through their memories of Kai. Writer-director Hong Khaou’s moving and intimate debut dances between the real and imaginary to express the unspeakable loss that both characters experience. Boasting delicate performances by both Whishaw and Cheng, this Sundance award-winner is a perceptive meditation on the connection between two human souls, revealing that what separates us can also bind us together. A Strand Releasing release.
July 27, 7:30pm
* Lyle
Stewart Thorndike, USA, 2014, DCP, 65m
Lyle, Stewart Thorndike’s sinister ode to Rosemary’s Baby, finds the perfect mom-to-be in Gaby Hoffmann. Her electrifying performance as Leah, a pregnant lesbian confronted by an unspeakable evil, brings out a primal terror that’s difficult to shake. With dark humor and razor-sharp camerawork, Thorndike takes audiences into a growing nightmare as Leah begins to question the motives of her partner, friends, and neighbors.
July 28, 7:00pm (Q&A with Stewart Thorndike)
* Blackbird
Patrik-Ian Polk, USA, 2013, 102m
A high-school senior named Randy (newcomer Julian Walker) and his band of queer friends fight for a life outside the constrictions of their small Southern Baptist town. Blackbird’s a powerful film, co-starring Academy Award winner Mo’Nique (Precious) and Isaiah Washington (Blue Caprice) as Randy’s conflicted parents, in which friends—black, white, straight, gay, and all things in between—discover firsthand both the rewards and consequences of growing up as outsiders.
July 25, 9:30pm (Q&A with Patrik-Ian Polk)
* Boys
Mischa Kamp, The Netherlands, 2014, DCP, 78m
Dutch with English subtitles
After making it onto the track team, 15-year-old Sieger instantly grows close to fellow runner Marc. Sieger, dealing with family troubles, and Marc, outgoing and engaging, fall in love over the course of a summer spent running, swimming, and stealing kisses in the forest. But Sieger must weigh how his widowed father feels against the joy and freedom he finds in Marc’s arms in this adorable romance.
July 24, 10:00pm
After making it onto the track team, 15-year-old Sieger instantly grows close to fellow runner Marc. Sieger, dealing with family troubles, and Marc, outgoing and engaging, fall in love over the course of a summer spent running, swimming, and stealing kisses in the forest. But Sieger must weigh how his widowed father feels against the joy and freedom he finds in Marc’s arms in this adorable romance.
July 24, 10:00pm
* The Circle
Stefan Haupt, Switzerland, 2014, DCP, 101m
German with English subtitles
Stefan Haupt, Switzerland, 2014, DCP, 101m
German with English subtitles
A Teddy Award winner at this year’s Berlin Film Festival, The Circle captures an extraordinary romance set against the backdrop of Switzerland’s thriving post-WWII underground gay movement. Director Stefan Haupt has fashioned a gorgeous hybrid of a film, uncovering a vibrant love story between a singer and schoolteacher who bravely defied the constraining laws of their era.
July 26, 10:30am
* 52 Tuesdays
Sophie Hyde, Australia, 2013, DCP, 114m
Sixteen-year-old Billie (played by Australian rising star Tilda Cobham-Hervey) is blindsided by the news that her mother is planning to transition from female to male and that, during this time, Billie will live at her father’s house. Billie and her mother, now called James, agree to meet every Tuesday during their year apart. As James undergoes changes and becomes less emotionally available, Billie covertly explores her own identity and sexuality with two older schoolmates, testing the limits of her own power, desire, and independence. A Kino Lorber Release.
July 24, 4:00pm
Sixteen-year-old Billie (played by Australian rising star Tilda Cobham-Hervey) is blindsided by the news that her mother is planning to transition from female to male and that, during this time, Billie will live at her father’s house. Billie and her mother, now called James, agree to meet every Tuesday during their year apart. As James undergoes changes and becomes less emotionally available, Billie covertly explores her own identity and sexuality with two older schoolmates, testing the limits of her own power, desire, and independence. A Kino Lorber Release.
July 24, 4:00pm
* Jamie Marks Is Dead
Carter Smith, USA, 2014, DCP, 100m
When the ghost of bullied teenager Jamie Marks (Noah Silver) appears to Adam (Cameron Monaghan), the straitlaced track star becomes caught between two worlds. Despite a budding romance with Gracie (Morgan Saylor), who found Jamie’s body, Adam is fascinated by the sexy spirit, who leads him into a ghostly underworld. Also featuring Judy Greer and Liv Tyler, this supernatural-horror love story—a Sundance gem—delivers a poetic tale of sexuality and the tough choices it creates.
July 28, 9:30pm (Q&A with Carter Smith)
When the ghost of bullied teenager Jamie Marks (Noah Silver) appears to Adam (Cameron Monaghan), the straitlaced track star becomes caught between two worlds. Despite a budding romance with Gracie (Morgan Saylor), who found Jamie’s body, Adam is fascinated by the sexy spirit, who leads him into a ghostly underworld. Also featuring Judy Greer and Liv Tyler, this supernatural-horror love story—a Sundance gem—delivers a poetic tale of sexuality and the tough choices it creates.
July 28, 9:30pm (Q&A with Carter Smith)
For more info, visit > NewFest.
CINE: YOUR GUIDE TO LATINBEAT 2014
Posted by LATINO EVENTS Y TESPIS MAGAZINE
on
Saturday, July 5, 2014
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Llegó una de las fiestas cinematográficas más esperadas de Nueva York con una cartelera estupenda de 16 películas de América Latina. La serie LATINBEAT de la Film Society celebra este año su 15ta edición con una mayoría de filmes realizados por talento emergente pero ya galardonado mundialmente. Desde acá les enviamos nuestras felicitaciones por estos 15 fructíferos años y que se multipliquen!.
Marcela Goglio, la Programadora de LATINBEAT destaca la variedad y gran producción del cine latinoamericano desde que comenzó el auge del cine de la región a comienzos de los 90' sin perder aquel espíritu de un "renacimiento cinemático perpetuo".
Así, es esta edición del LATINBEAT tenemos películas tales como My Straight Son (foto), de Miguel Ferrari, la primera película venezolana en ganar el Premio Goya 2013 a la mejor película hispanoamericana; Casa Grande, del brasileño Fellipe Barbosa, un hit en el Festival de Rotterdam; Natural Sciences del argentino Matías Lucchesi, ganadora del Grand Prix de la Generation Kplus en la Berlinale; We Are Mari Pepa, del mexicano Samuel Kishi Leopo; The Searches del también mexicano Jose Luis Valle; Holiday, una co-producción Ecuador/Argentina de Diego Araujo; Cristo Rey, de Leticia Tonos Paniagua, la primera directora de la República Dominicana; All About the Feathers, de Neto Villalobos (Costa Rica). También esperamos el retorno de la mexicana Mariana Chenillo con su nueva peli, Paradise. Y para terminar cabe mencionar a los brasileños Marcelo Gomes y Cao Guimarães que nos traen una adaptación de un cuento del poeta Edgar Allan Poe en The Man of the Crowd.
La edición 2014 de LATINBEAT promete darnos un banquete a los cinéfilos de la Gran Manzana del 11 al 20 de Julio en el Lincoln Center.
Pueden ver el trailer de la serie debajo o siguiendo el enlace > Trailer.
Toda la información sobre LATINBEAT debajo o sigan el enlace > LatinBeat.
FILM DESCRIPTIONS & SCHEDULE
* Casa Grande (Opening Night)Fellipe Barbosa, Brazil, 2014, DCP, 114m
Portuguese with English subtitles
Set in Rio, Fellipe Barbosa’s long-awaited fiction debut is a clear-eyed, empathetic portrait of a teenager who strives to transcend the limitations of his upper-middle-class family life. Seventeen-year-old Jean (an outstanding Thales Cavalcanti) contends with pressure from parental expectations, university entrance exams, and the surprising discovery of a family financial crisis in this tender, beautifully written coming-of-age story that deftly explores class differences and racism in Brazil today.
Friday, July 11, 6:15pm
Monday, July 14, 8:30pm
* All About the Feathers / Por las plumas
Neto Villalobos, Costa Rica, 2013, DCP, 85m
Spanish with English subtitles
Chalo is inseparable from his friend Rocky, a fighting cock he acquires to bring some excitement into his boring life as a security guard. But what Rocky brings is in fact an unexpected set of screwball adventures. Cockfighting is illegal but has a passionate following in the small Costa Rican town where Chalo lives (the film tastefully keeps the action offscreen). Neto Villalobos’s winning, dryly funny debut feature renders that world with genuine flavor and charm by a cast made up of mostly nonprofessional actors.
Thursday, July 17, 6:30pm
* Cristo Rey
Leticia Tonos Paniagua, Dominican Republic, 2013, DCP, 96m
Spanish with English subtitles
In 2011, Leticia Tonos Paniagua was the first Dominican woman to direct a feature film in her country. Her follow-up, a contemporary take on Romeo and Juliet, tackles with sensitivity and a sense of urgency the tough subject of Haitian immigration in the Dominican Republic, where about one million exiles currently reside. Set in the Cristo Rey neighborhood, which is rampant with crime and police corruption, this love story between a teenager of mixed Haitian/Dominican descent and a drug lord’s sister powerfully combines a genuine feel for barrio life with the quick pace and sense of impending danger of a thriller, all the while exploring the implications of racism and xenophobia on this island divided in two.
Saturday, July 12, 6:30pm
Sunday, July 13, 4:00pm
* Dust on the Tongue / Tierra en la lenguaRubén Mendoza, Colombia, 2014, DCP, 89m
Spanish with English subtitles
Despite family patriarch Don Silvio’s abusive behavior toward friends and family, his magnetism has allowed him to remain the center of attention his entire life. When his death is imminent, he makes an unusual request—he asks two of his grandchildren to help him die. Will they take revenge? With an impeccable direction of actors and a seamless flow between fiction, documentary, and mockumentary, Mendoza displays surprising skill and boldness as he navigates the sensitive subject of veiled hostility between parents and offspring.
Saturday, July 12, 4:00pm
Sunday, July 13, 8:40pm
* Holiday / Feriado
Diego Araujo, Ecuador/Argentina, 2013, DCP, 82m
Spanish with English subtitles
Thursday, July 17, 6:30pm
* Cristo Rey
Leticia Tonos Paniagua, Dominican Republic, 2013, DCP, 96m
Spanish with English subtitles
In 2011, Leticia Tonos Paniagua was the first Dominican woman to direct a feature film in her country. Her follow-up, a contemporary take on Romeo and Juliet, tackles with sensitivity and a sense of urgency the tough subject of Haitian immigration in the Dominican Republic, where about one million exiles currently reside. Set in the Cristo Rey neighborhood, which is rampant with crime and police corruption, this love story between a teenager of mixed Haitian/Dominican descent and a drug lord’s sister powerfully combines a genuine feel for barrio life with the quick pace and sense of impending danger of a thriller, all the while exploring the implications of racism and xenophobia on this island divided in two.
Saturday, July 12, 6:30pm
Sunday, July 13, 4:00pm
* Dust on the Tongue / Tierra en la lenguaRubén Mendoza, Colombia, 2014, DCP, 89m
Spanish with English subtitles
Despite family patriarch Don Silvio’s abusive behavior toward friends and family, his magnetism has allowed him to remain the center of attention his entire life. When his death is imminent, he makes an unusual request—he asks two of his grandchildren to help him die. Will they take revenge? With an impeccable direction of actors and a seamless flow between fiction, documentary, and mockumentary, Mendoza displays surprising skill and boldness as he navigates the sensitive subject of veiled hostility between parents and offspring.
Saturday, July 12, 4:00pm
Sunday, July 13, 8:40pm
* Holiday / Feriado
Diego Araujo, Ecuador/Argentina, 2013, DCP, 82m
Spanish with English subtitles
Sixteen-year-old Juan Pablo travels to the remote family hacienda in the Andes, where his uncle, who is involved in a corruption scandal, has taken refuge with his wife and teenage children. It is the carnival holiday of 1999, days before the collapse of Ecuador’s banking system. There, Juan Pablo meets Juano, an enigmatic, self-assured heavy-metal fan from the nearby pueblo, who opens his eyes to an entirely new, liberating world. As his country and family is heading for the abyss, the two boys’ budding friendship develops into a fragile romance, and Juan Pablo is forced to define himself against his chaotic surroundings. Daniele Luppi, who has collaborated with Norah Jones, Jack White, Ennio Morricone, and Gnarls Barkley, composed the score.
Tuesday, July 15, 4:30pm
Wednesday, July 16, 6:15pm
* The Man of the Crowd / O Homem das Multidões
Marcelo Gomes & Cao Guimarães, Brazil, 2013, DCP, 95m
Portuguese with English subtitles
Tuesday, July 15, 4:30pm
Wednesday, July 16, 6:15pm
* The Man of the Crowd / O Homem das Multidões
Marcelo Gomes & Cao Guimarães, Brazil, 2013, DCP, 95m
Portuguese with English subtitles
Loosely based on Edgar Allan Poe’s story of the same name, Marcelo Gomes and Cao Guimarães—two of the most interesting filmmakers working in Brazil today—have crafted an elegant, parsimonious, and formally impeccable story of Juvenal, a lonely train driver in Belo Horizonte, and his encounter with Margo, a station controller. Emphasizing the theme of alienation in Poe’s story (and revealing Guimarães’s work as a visual artist), the two directors opted for an unusual format, about a 3:3.5 ratio, which intriguingly makes the film resemble a Polaroid. Juvenal and Margo, who each embody a different form of urban solitude, have been brought together in this beautifully composed ode to friendship. A Curator Films Release.
Saturday, July 19, 1:00pm
Sunday, July 20, 6:15pm
* Mateo
Maria Gamboa, Colombia/France, 2014, DCP, 86m
Spanish with English subtitles
Saturday, July 19, 1:00pm
Sunday, July 20, 6:15pm
* Mateo
Maria Gamboa, Colombia/France, 2014, DCP, 86m
Spanish with English subtitles
Sixteen-year-old Mateo infiltrates a theater group in the violent neighborhood where he lives, and reports on the political activities of its members. But his perspective on the nature of their creative work begins to shift when he falls for a beautiful girl in the troupe. Gamboa’s tough but spirited music-infused tale is based on real-life experiences.
Sunday, July 13, 1:30pm
Tuesday, July 15, 6:30pm
* The Militant / El lugar del hijo
Manuel Nieto, Uruguay, 2013, DCP, 121m
Spanish with English subtitles
Ariel, a student leading a 2002 occupation at a Montevideo university, receives news of his father's death in Salto. Leaving the city and all its protests and solidarity movements behind, Ariel embarks on a very personal journey as he settles into the tranquil countryside—an area under-explored in Uruguayan cinema—and learns that he has to manage his father’s inheritance, including his debts and a lover who’s still living in his house. In this fascinating story of rebirth, Nieto crafts a clever metaphor for the country of Uruguay, which its youth will someday inherit and have to learn how to manage, in their own search for restoration.
Thursday, July 17, 8:45pm
Friday, July 18, 4:00pm
* My Straight Son/Azul, No Tan Rosa
Miguel Ferrari, Venezuela, 2013, 35mm, 113m
Spanish with English subtitles
Famous telenovela actor Miguel Ferrari’s debut feature, which won Best Iberoamerican Film at this year’s Goya Awards (the Spanish Oscars), is the first Venezuelan film to openly deal with gay and transgender issues—still mostly taboo in the country. While telling the story of the romantic relationship between a fashion photographer (Guillermo García) a handsome surgeon (Sócrates Serrano), the film also explores with great panache and lots of heart an array of other topics, including teenage love, homophobia, and what it’s like to be a gay parent to an estranged teenage son. Proudly sentimental and reminiscent of Almodóvar’s early melodramas, but also taut, polished, and sexy, My Straight Son features performances by many of Venezuela’s TV personalities. A TLA Releasing release.
Thursday, July 17, 3:30pm
Saturday, July 19, 8:30pm
* Natural Sciences / Ciencias Naturales
Matías Lucchesi, Argentina/France, 2014, DCP, 71m
Spanish with English subtitles
Determined to find the father she never knew, 12-year-old Lila (Paula Hertzog) escapes her remote boarding school tucked away in the impressive Sierra de Córdoba mountains. This sweet coming-of-age story about love and perseverance won Berlin’s Generation Kplus Grand Prix as well as Best Film, Best Screenplay, and Best Actress at the Guadalajara Film Festival this year.
Friday, July 11, 9:15pm
Monday, July 14, 6:20pm
* Paradise / Paraíso
Mariana Chenillo, Mexico, 2013, DCP, 105m
Spanish with English subtitles
Friday, July 11, 9:15pm
Monday, July 14, 6:20pm
* Paradise / Paraíso
Mariana Chenillo, Mexico, 2013, DCP, 105m
Spanish with English subtitles
Mariana Chenillo’s sophomore feature displays a warmth and delight in life that couldn't be further from the dark humor of her acclaimed debut, Nora’s Will (Latinbeat ’09). This unpretentious romantic comedy about a happy overweight couple from the suburban middle-class neighborhood Satelite (the “paradise” of the title) takes refreshingly unexpected turns, as their move to Mexico City launches them both on a journey of self-discovery.
Friday, July 18, 9:00pm
Sunday, July 20, 3:30pm
* Reimon
Rodrigo Moreno, Argentina/Germany, 2014, DCP, 72m
Spanish with English subtitles
Documentary and fiction are almost indistinguishable in this minimalist but powerfully eloquent film by the director of El custodio and Un mundo misterioso. Moreno closely observes the daily routines of Reimon, a young woman from northeastern Argentina who commutes long distances from her suburban neighborhood to her job cleaning houses in Buenos Aires. In one of these homes, a young couple read passages from Marx’s Das Kapital out loud as she dusts and cooks... And though the film is practically silent, staying true to Reimon’s introspective cadence, the juxtaposition of her daily reality with that of her employers says it all.
Friday, July 18, 6:45pm
Sunday, July 20, 8:30pm
* Root / Raiz
Matías Rojas Valencia, Chile, 2013, DCP, 87m
Spanish with English subtitles
In this hypnotic story of redemption and rebirth, a young woman embarks on a road trip through lush remote locations in southern Chile to find the father of a recently orphaned child. Having just returned from the city to the hostile environment of her home in Puerto Varas, Amalia leaves again with 9-year-old Cristobál on a dilapidated truck. The two clash, bond, and grieve in the almost mystical qualities of the region’s breathtaking natural beauty. In his impressive debut feature, Matías Rojas Valencia tells an intensely moving story with very few elements, skillfully incorporating the natural setting as a mirror through which we can witness the characters’ deep inner transformations.
Saturday, July 12, 1:30pm
Wednesday, July 16, 8:30pm
* The Searches / Las búsquedas
Jose Luis Valle, Mexico, 2013, DCP, 77m
Spanish with English subtitles
The parallel stories of a widow and a widower come together in the elegant and sober second feature by the award-winning Jose Luis Valle, a director of Salvadoran-Mexican descent. Made in just seven days, and shot in black-and-white, with a budget of $1,500, the film exhibits that a large part of Valle’s talent resides in his capacity to tell a taut, polished, and intriguing story with the fewest of elements—great and renowned Mexican actors notwithstanding (Gustavo Sánchez Parra, Arcelia Ramírez, Gabino Rodríguez). Chance, revenge, solitude, and redemption are some of the themes explored by this small gem of a film.
Saturday, July 19, 6:00pm
* The Summer of Flying Fish / El verano de los peces voladores
Marcela Said, Chile/France, 2013, DCP, 95m
Spanish with English subtitles
Don Francisco is celebrated for the effective if increasingly violent ways he employs to exterminate the carp that overpopulate the artificial lake on his property in the majestically beautiful areas of Curarrehue, Coñaripe, and Liquiñe in southern Chile. His beloved 16-year-old daughter, Manena, seems to be the only one aware of the growing tension surrounding them, as the demands of the Mapuche Indians that have lived and worked in the area for centuries have gone unheard for too long. Said brings her sharp observational skills as a documentarian to this fiction/nonfiction hybrid, working on location with nonprofessional actors to create a quietly powerful denunciation of environmental destruction and social injustice. But she also succeeds in crafting a moving and vivid youth drama through Manena’s tricky predicament, caught between loyalty to her family and to what she knows is right.
Sunday, July 13, 6:30pm
Monday, July 14, 4:00pm
* We Are Mari Pepa / Somos Mari Pepa
Samuel Kishi Leopo, Mexico, 2013, DCP, 95m
Spanish with English subtitles
Friday, July 18, 9:00pm
Sunday, July 20, 3:30pm
* Reimon
Rodrigo Moreno, Argentina/Germany, 2014, DCP, 72m
Spanish with English subtitles
Documentary and fiction are almost indistinguishable in this minimalist but powerfully eloquent film by the director of El custodio and Un mundo misterioso. Moreno closely observes the daily routines of Reimon, a young woman from northeastern Argentina who commutes long distances from her suburban neighborhood to her job cleaning houses in Buenos Aires. In one of these homes, a young couple read passages from Marx’s Das Kapital out loud as she dusts and cooks... And though the film is practically silent, staying true to Reimon’s introspective cadence, the juxtaposition of her daily reality with that of her employers says it all.
Friday, July 18, 6:45pm
Sunday, July 20, 8:30pm
* Root / Raiz
Matías Rojas Valencia, Chile, 2013, DCP, 87m
Spanish with English subtitles
In this hypnotic story of redemption and rebirth, a young woman embarks on a road trip through lush remote locations in southern Chile to find the father of a recently orphaned child. Having just returned from the city to the hostile environment of her home in Puerto Varas, Amalia leaves again with 9-year-old Cristobál on a dilapidated truck. The two clash, bond, and grieve in the almost mystical qualities of the region’s breathtaking natural beauty. In his impressive debut feature, Matías Rojas Valencia tells an intensely moving story with very few elements, skillfully incorporating the natural setting as a mirror through which we can witness the characters’ deep inner transformations.
Saturday, July 12, 1:30pm
Wednesday, July 16, 8:30pm
* The Searches / Las búsquedas
Jose Luis Valle, Mexico, 2013, DCP, 77m
Spanish with English subtitles
The parallel stories of a widow and a widower come together in the elegant and sober second feature by the award-winning Jose Luis Valle, a director of Salvadoran-Mexican descent. Made in just seven days, and shot in black-and-white, with a budget of $1,500, the film exhibits that a large part of Valle’s talent resides in his capacity to tell a taut, polished, and intriguing story with the fewest of elements—great and renowned Mexican actors notwithstanding (Gustavo Sánchez Parra, Arcelia Ramírez, Gabino Rodríguez). Chance, revenge, solitude, and redemption are some of the themes explored by this small gem of a film.
Saturday, July 19, 6:00pm
* The Summer of Flying Fish / El verano de los peces voladores
Marcela Said, Chile/France, 2013, DCP, 95m
Spanish with English subtitles
Don Francisco is celebrated for the effective if increasingly violent ways he employs to exterminate the carp that overpopulate the artificial lake on his property in the majestically beautiful areas of Curarrehue, Coñaripe, and Liquiñe in southern Chile. His beloved 16-year-old daughter, Manena, seems to be the only one aware of the growing tension surrounding them, as the demands of the Mapuche Indians that have lived and worked in the area for centuries have gone unheard for too long. Said brings her sharp observational skills as a documentarian to this fiction/nonfiction hybrid, working on location with nonprofessional actors to create a quietly powerful denunciation of environmental destruction and social injustice. But she also succeeds in crafting a moving and vivid youth drama through Manena’s tricky predicament, caught between loyalty to her family and to what she knows is right.
Sunday, July 13, 6:30pm
Monday, July 14, 4:00pm
* We Are Mari Pepa / Somos Mari Pepa
Samuel Kishi Leopo, Mexico, 2013, DCP, 95m
Spanish with English subtitles
As the school year ends, the 16-year-olds who make up the title punk band are free to skateboard, play soccer, and rehearse the one—obscene yet catchy—song they’ve written. Samuel Kishi Leopo vividly captures the carefree spirit of the teenagers' summer vacation, with closely observed, carefully drawn characters and a pitch-perfect score (by his brother Kenji Kishi). The summer finally ends and the leisurely days—palpitating with music, desire, and camaraderie—give way to reality, bringing this vibrant portrait of youth at a pivotal moment full circle. A FiGa Films release.
Saturday, July 12, 9:00pm
Tuesday, July 15, 8:30pm
Friday, July 11
6:15PM Casa Grande (114m)
9:15PM Natural Sciences (71m)
Saturday, July 12
1:30PM Root (87m)
4:00PM Dust on the Tongue (89m)
6:30PM Cristo Rey (96m)
9:00PM We Are Mari Pepa (95m)
Sunday, July 13
1:30PM Mateo (86m)
4:00PM Cristo Rey (96m)
6:30PM The Summer of Flying Fish (95m)
8:40PM Dust on the Tongue (89m)
Monday, July 14
4:00PM The Summer of Flying Fish (95m)
6:20PM Natural Sciences (71m)
8:30PM Casa Grande (114m)
Tuesday, July 15
4:30PM Holiday (82m)
6:30PM Mateo (86m)
8:30PM We Are Mari Pepa (95m)
Wednesday, July 16
6:15PM Holiday (82m)
8:30PM Root (87m)
Thursday, July 17
3:30PM My Straight Son (113m)
6:30PM All About the Feathers (85m)
8:45PM The Militant (121m)
Friday, July 18
4:00PM The Militant (121m)
6:45PM Reimon (72m)
9:00PM Paradise (105m)
Saturday, July 19
1:00PM The Man of the Crowd (95m)
6:00PM The Searches (77m)
8:30PM My Straight Son (113m)
Sunday, July 20
3:30PM Paradise (105m)
6:15PM The Man of the Crowd (95m)
8:30PM Reimon (72m)
Tuesday, July 15, 8:30pm
MOVIES AND DATES ONLY
Friday, July 11
6:15PM Casa Grande (114m)
9:15PM Natural Sciences (71m)
Saturday, July 12
1:30PM Root (87m)
4:00PM Dust on the Tongue (89m)
6:30PM Cristo Rey (96m)
9:00PM We Are Mari Pepa (95m)
Sunday, July 13
1:30PM Mateo (86m)
4:00PM Cristo Rey (96m)
6:30PM The Summer of Flying Fish (95m)
8:40PM Dust on the Tongue (89m)
Monday, July 14
4:00PM The Summer of Flying Fish (95m)
6:20PM Natural Sciences (71m)
8:30PM Casa Grande (114m)
Tuesday, July 15
4:30PM Holiday (82m)
6:30PM Mateo (86m)
8:30PM We Are Mari Pepa (95m)
Wednesday, July 16
6:15PM Holiday (82m)
8:30PM Root (87m)
Thursday, July 17
3:30PM My Straight Son (113m)
6:30PM All About the Feathers (85m)
8:45PM The Militant (121m)
Friday, July 18
4:00PM The Militant (121m)
6:45PM Reimon (72m)
9:00PM Paradise (105m)
Saturday, July 19
1:00PM The Man of the Crowd (95m)
6:00PM The Searches (77m)
8:30PM My Straight Son (113m)
Sunday, July 20
3:30PM Paradise (105m)
6:15PM The Man of the Crowd (95m)
8:30PM Reimon (72m)
ARTE: VARIATIONS OF A THEME. LA PINTURA DE ANDREW SALGADO
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Wednesday, July 2, 2014
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Las grandes pinturas figurativas y llenas de color de Andrew Salgado también se presentan en NYC en la Galería One Art Space de Tribeca.
Teniendo como sujeto el ser humano en 'close-up', los 'retratos' de Salgado son impactantes, llenos de una vitalidad contagiosa y al mismo tiempo una serenidad que inspira.
El artista canadiense (residenciado en Londres) presenta sus pinturas hasta el venidero 6 de Julio.
Para más info, visiten > ONE ART
THE GAY PRIDE PARADE 2014. NEW VIDEO!
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Monday, June 30, 2014
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Ya celebramos el Orgullo Gay 2014 en Nueva York y les tengo un video que armé con momentos del Desfile/Parade con las carrozas abarrotadas de gente cantando y bailando sobre la Calle Christopher, donde termina la marcha que se inicia mucho más arriba sobre la 5ta Avenida.
También les tengo un nuevo set de fotografías que pude capturar al final de la tarde con una luz estupenda que hace resplandecer la bandera arco iris. Las fotos ya las monto en otra nota.
Vean el video debajo a sigan el enlace > GAYPRIDE.
MIS MEJORES FOTOS DE LA MARCHA DEL ORGULLO GAY EN NYC
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Wednesday, June 25, 2014
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Aqui tiene una muestra de las fotos que he tomado cubriendo la Marcha del Orgullo Gay sobre la 5ta Avenida de NYC y un par de la celebración LGBT en Baltimore.
He documentado la Marcha en NYC en dos oportunidades y creo que he capturado momentos fantásticos.
Asi que disfruten. Vean la galería debajo o sigan el enlace > GAY PRIDE.
CELEBRAMOS EL ORGULLO GAY 2014 EN NYC
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Tuesday, June 24, 2014
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El mes del Orgullo Gay (Gay Pride Month) en NYC es el evento más grande de afirmación y celebración del colectivo LGBT y como tal atrae a miles y miles de participantes. A todos les deseamos una celebración inolvidable y les invitamos a que sigamos en la lucha por la igualdad y el respeto pleno en todo el mundo.
Aquí tiene una lista de los eventos pautados durante estos días, hasta el 29 de Junio:
* Junio 24: Family Night
* Junio 25: The Rally
* Junio 27: Click Fridays
* Junio 28: VIP Rooftop Party, Teaze y We Party
* Junio 29: PrideFest, The March, Dance On The Pier con la presentacion de Demi Lovato.
HAPPY GAY PRIDE! > Para más información visiten > http://www.nycpride.org/events
THE HUMAN RIGHTS WATCH FILM FESTIVAL CELEBRATES 25 YEARS
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Wednesday, June 11, 2014
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Twenty five years making possible a better world, expanding minds and human rights all over the planet is not a small feast for a festival started by a good few souls in a small NY theater. Every year the festival comes to town like a giant bell, calling out our name. Pay attention! Es contigo!. Is good they do. Then the possibilities that come with it: to become aware of, interested in, committed to making a difference.
This year, twenty three films explore specific stories of courage confronting intolerable abuse, both person to person and state/regime to persons or collectives all over the world.
The festival is organized around five themes: Armed Conflict and the Arab Spring; Human Rights Defenders, Icons and Villains; Lesbian, Gay, Bisexual, and Transgender (LGBT) Rights; Migrants’ Rights; and Women’s Rights and Children’s Rights.This year, director Talal Derki and producer Orwa Nyrabia—filmmakers of Return to Homs—will receive the 2014 Nestor Almendros Award for courage in filmmaking. Don't miss it.
A fundraising Benefit Night for Human Rights Watch will launch the festival on June 12 featuring Katy Chevigny and Ross Kauffman’s Sundance award-winner E-TEAM, which follows four intrepid activists from Human Rights Watch’s Emergencies Team as they investigate and document war crimes on the front lines of Syria and Libya.
I got to see some of these films. They have it all: Domestic Violence, Abortion, War, Syria, Libya, Palestine, Nigeria, Cyprus and Nicaragua. Wrongs need to be righted, everywhere. Human Rights need to be protected or claimed. These are some of the themes you can get to stop and ponder starting on June 13 in NYC. Then, Get involved! :)
+ PRIVATE VIOLENCE (Opening Night, June 13 ) Cynthia Hill—US—2013—81m—doc
Exploring the fact that the most dangerous place for a woman is her home, the film tells the stories of Deanna Walters, a woman who seeks justice after being kidnapped and brutalized by her estranged husband, and Kit Gruelle, a domestic violence survivor who now helps women find justice for themselves.
Director Cynthia Hill and executive producer Gloria Steinem will be present on June 13 for the Opening Night screening of this HBO documentary.
Winner of the top prize for World Documentary at Sundance, the film takes viewers to the front lines of the Syrian conflict as two young men who are determined to defend their city abandon peaceful resistance and take up arms. Recipient of the HRWFF's 2014 Nestor Almendros Award for courage in filmmaking.
+ A QUIET INQUISITION. Alessandra Zeka and Holen Sabrina Kahn—US—2014—65m—doc
In a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato struggles with her conscience as she is forced to navigate between a new law that bans all abortions and her training in medical protocols that enable her to save lives.
+ NELSON MANDELA: THE MYTH AND ME. Khalo Matabane—South Africa/Germany—2013—86m—doc
A top prize-winner at the International Documentary Film Festival Amsterdam, South African filmmaker Khalo Matabane uses conversations with politicians, activists, intellectuals, and artists to question the meaning of freedom and reconciliation, and challenges Mandela’s legacy in today's world.
+ EVAPORATING BORDERS. Iva Radivojevic—US/Cyprus—2014—73m—docAn examination of how tolerance, identity and nationalism collide over migration issues on the island of Cyprus, one of the easiest entry points to Europe.
+ ABOUNADDARA COLLECTIVE SHORTS FROM SYRIA, Various Directors.
+ WATCHERS OF THE SKY. Edet Belzberg—US—2014—114m—doc
Inspired by Samantha Power's Pulitzer Prize-winning book “A Problem From Hell,” the film interweaves the stories of four extraordinary humanitarians whose lives and work embody the vision of Rafael Lemkin, the Polish lawyer who created international law on stopping genocide and holding leaders accountable.
+ NELSON MANDELA: THE MYTH AND ME. Khalo Matabane—South Africa/Germany—2013—86m—doc
A top prize-winner at the International Documentary Film Festival Amsterdam, South African filmmaker Khalo Matabane uses conversations with politicians, activists, intellectuals, and artists to question the meaning of freedom and reconciliation, and challenges Mandela’s legacy in today's world.
+ EVAPORATING BORDERS. Iva Radivojevic—US/Cyprus—2014—73m—docAn examination of how tolerance, identity and nationalism collide over migration issues on the island of Cyprus, one of the easiest entry points to Europe.
+ ABOUNADDARA COLLECTIVE SHORTS FROM SYRIA, Various Directors.
+ WATCHERS OF THE SKY. Edet Belzberg—US—2014—114m—doc
Inspired by Samantha Power's Pulitzer Prize-winning book “A Problem From Hell,” the film interweaves the stories of four extraordinary humanitarians whose lives and work embody the vision of Rafael Lemkin, the Polish lawyer who created international law on stopping genocide and holding leaders accountable.
+ THE SUPREME PRICE
A look at the perilous evolution of the pro-democracy movement in Nigeria, focusing on Hafsat Abiola, an activist who returns to her embattled home to fight for democracy and women’s rights.
+ Scheherazade’s Diary (Closing Night, June 22)
A tragicomic documentary that follows women inmates through a 10-month drama therapy/theater project set up by director Zeina Daccache at the Baabda Prison in Lebanon. Through “Scheherazade in Baabda,” these “murderers of husbands, adulterers and drug felons” reveal their stories—tales of domestic violence, traumatic childhoods, failed marriages, and forlorn romances.
The Walter Reade Theater at Lincoln Center and The IFC Center will host the event. For more films and info, visit > HRWFF.
FILM: PELICULAS LATINAS EN EL TRIBECA FILM FESTIVAL 2014
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Monday, March 24, 2014
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El Festival de Cine de Tribeca se acerca y me encuentro con al menos 10 producciones con realizadores, temas o actores Latinos. Inclusive con algunas películas fresquitas de ganarse reconocimientos en el circuito de festivales mundial como 'Pelo Malo' de la directora venezolana Mariana Rondón.
Venezuela, México, Argentina, Colombia, USA, Puerto Rico y Perú, además de cintas de Italia y Francia forman parte de las principales secciones del festival. Como en años anteriores, desde LatinoEvents estaremos también llevándole la cobertura del festival, uno de los más importantes del país y en donde la presencia latina se ha hecho sentir desde sus inicios. En una nota futura publicaremos el listado de cortometrajes y dos proyectos especiales de Transmedia que también forman parte del festival. El Tribeca Film Festival se realiza en NYC del 16 al 27 de Abril venideros.
Entérense de las10 películas presentes en el TFF2014!:
1- Pelo Malo. Directed by Mariana Rondón.
(Venezuela, Peru, Argentina, Germany)
Junior, a nine-year-old living in Caracas, wants nothing more than to straighten his unruly hair to look like a singer for his school photo—a fixation that stirs homophobic panic in his overtaxed mother. Each effort Junior makes to alter his appearance and gain his mother’s love is brushed off with abrasive avoidance until he’s ultimately faced with a heartbreaking decision. With a painfully tender performance by Samuel Lange, writer-director Mariana Rondón directs this coming-of-age drama about the search for identity clashing with intolerance. In Spanish with subtitles.
2- Güeros. Directed by Alonso RuizPalacios. (México)
A water balloon suddenly dropping from the sky exploding on a mother’s head in the frantic first moments of this striking debut feature, announces its director, Alonso Ruiz Palacios, as a bold new voice of Mexican cinema. Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in beautiful black-and-white, Gueros brims with youthful exuberance. In Spanish with subtitles.
3- Mala Mala. Directed by Dan Sickles y Antonio Santini.
(Puerto Rico)
Antonio Santini and Dan Sickles’ vibrant and visually striking immersion in the transgender community of Puerto Rico celebrates the breadth of experiences among trans-identifying women: from campaigning for government-recognized human rights, to working in the sex industry, to performing as part of the drag troupe “The Doll House.” Unapologetic and unconventional, Mala Mala explores the ways internal and external identity pave the path of self discovery through the unique yet universal stories of its fascinating cast of characters. In English and Spanish with subtitles.
4- El documental 'Maravilla' de Juan Pablo Cadaveira.
(Argentina)
A true underdog story, Maravilla follows Argentinian boxer Sergio ‘Maravilla’ Martinez, as he sets out to reclaim the title of Middleweight champion that was unfairly snatched from him in 2011 by Julio Chavez, Jr. Focusing on the rise of Martinez from penniless amateur to world champion and sporting celebrity, director Juan Pablo Cadaveira offers a fascinating glimpse into today’s boxing landscape, revealing the politics of the sporting profession that often places entertainment value over the sport itself. In English and Spanish with subtitles.
5- Human Capital (Il capitale umano) de Paolo Virzì, Francesco Bruni and Francesco Piccolo. (Italy, France)
In Paolo Virzì’s refined three-chapter tale, we begin at the end. Approaching a snowy night from three vastly different perspectives, the lives of two generations overlap as they tumble toward an ill-fated event that inextricably links them. Starring two of Italy’s leading actresses, Valeria Golino and Valeria Bruni Tedeschi, Human Capital twists love, class, and ambition into a singular, true-life story that exposes the consequences of valuing certain human lives over others. In Italian with subtitles.
6- The Kidnapping of Michel Houellebecq (L'Enlevement de Michel Houellebecq) Directed and written by Guillaume Nicloux.
(France)
If novelist Michel Houellebecq had indeed been kidnapped during his 2011 promotional book tour, this may have been the definitive documentary on the case. As a wild alternative, Guillaume Nicloux presents this work of complete fiction starring none other than Houellebecq himself. Playfully speculating on the explanation for Houellebecq's mysterious disappearance, this highly entertaining, farcical piece of cinema parallels the wry characteristics of its unique and ever-unconventional subject. In French with subtitles.
(France)
If novelist Michel Houellebecq had indeed been kidnapped during his 2011 promotional book tour, this may have been the definitive documentary on the case. As a wild alternative, Guillaume Nicloux presents this work of complete fiction starring none other than Houellebecq himself. Playfully speculating on the explanation for Houellebecq's mysterious disappearance, this highly entertaining, farcical piece of cinema parallels the wry characteristics of its unique and ever-unconventional subject. In French with subtitles.
7- X/Y. Directed and written by Ryan Piers Williams. (USA)
Ryan Piers Williams directs and stars alongside America Ferrera, Amber Tamblyn and Melonie Diaz in a character-driven drama centered around four restless New Yorkers, and their shifting sexual and romantic relationships as they search for a sense of intimacy and self-identity. As Mark, Jen, Sylvia, and Jake navigate through their emotionally-arrested states, X/Y reveals the honest and wanton desire we all have to connect with someone and what is at stake when that connection fades.
Ryan Piers Williams directs and stars alongside America Ferrera, Amber Tamblyn and Melonie Diaz in a character-driven drama centered around four restless New Yorkers, and their shifting sexual and romantic relationships as they search for a sense of intimacy and self-identity. As Mark, Jen, Sylvia, and Jake navigate through their emotionally-arrested states, X/Y reveals the honest and wanton desire we all have to connect with someone and what is at stake when that connection fades.
8- Chef. Directed and written by Jon Favreau. (USA)
After talented and dynamic chef Carl Casper’s (Favreau) social media-fueled meltdown against his nemesis food critic lands him without any job prospects, Chef Casper hits the road with his son and his sous chef (John Leguizamo) to launch a brand new food truck business. Complete with lavish food imagery and a star-studded cast including Sofia Vergara, Robert Downey Jr., Scarlett Johansson, Dustin Hoffman, Oliver Platt, and Amy Sedaris, Favreau’s fresh take on food and chef culture has poignant messages about the media-driven world in which we live and the real meaning of success. An Open Road Release.
9- Love is Strange. Directed and written by Ira Sachs, co-written by Mauricio Zacharias. (USA)
Ira Sachs returns to the indie scene following 2012’s acclaimed Keep the Lights On with another new take on modern love. Acting veterans John Lithgow and Alfred Molina star as Ben and George, a Manhattan couple who are finally given the opportunity to make their union official. But when Ben loses his teaching job as a result, the relationship is tested in unconventional ways—leaving them to lean more heavily than ever on their love to hold things together. A Sony Pictures Classics Release.
After talented and dynamic chef Carl Casper’s (Favreau) social media-fueled meltdown against his nemesis food critic lands him without any job prospects, Chef Casper hits the road with his son and his sous chef (John Leguizamo) to launch a brand new food truck business. Complete with lavish food imagery and a star-studded cast including Sofia Vergara, Robert Downey Jr., Scarlett Johansson, Dustin Hoffman, Oliver Platt, and Amy Sedaris, Favreau’s fresh take on food and chef culture has poignant messages about the media-driven world in which we live and the real meaning of success. An Open Road Release.
9- Love is Strange. Directed and written by Ira Sachs, co-written by Mauricio Zacharias. (USA)
Ira Sachs returns to the indie scene following 2012’s acclaimed Keep the Lights On with another new take on modern love. Acting veterans John Lithgow and Alfred Molina star as Ben and George, a Manhattan couple who are finally given the opportunity to make their union official. But when Ben loses his teaching job as a result, the relationship is tested in unconventional ways—leaving them to lean more heavily than ever on their love to hold things together. A Sony Pictures Classics Release.
10- Manos Sucias. Directed and written by Josef Wladyka, co-written by Alan Blanco. (Colombia, USA)
Towing a submerged torpedo in the wake of their battered fishing boat, a desperate fisherman and a naive kid embark on a journey trafficking millions of dollars worth of cocaine. Shot entirely on location along the Pacific coast of Colombia—in areas that bear the indelible scars of the drug trade—Manos Sucias refuses to glamorize the drug trade but rather seeks to offer a rare glimpse of its devastating effects. Executive Produced by Spike Lee.
Visiten la página del festival para más info > TFF2014.
All pictures credit to the Tribeca Film Festival@2014
All pictures credit to the Tribeca Film Festival@2014
Chita Rivera: A Legend Celebrates 80 with BroadwayCares!
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Thursday, September 5, 2013
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Chita: A Legendary Celebration, a benefit concert celebrating and starring the legendary Chita Rivera will play the August Wilson Theatre on Monday, October 7, 2013. The one-night only performance in honor of Rivera's 80th birthday will be produced by and benefit Broadway Cares/Equity Fights AIDS.
Rivera, a two-time Tony Award winner, theatrical icon and one of Broadway's greatest triple-threat talents, will be joined onstage by several show business friends who will help her celebrate her 80th birthday. Special guests will be announced later this summer. Chita: A Legendary Celebration will be directed by Graciela Daniele and written by Terrence McNally with music direction by Michael Croiter.
Tickets are now on sale at broadwaycares.org/chita. VIP tickets and sponsorship packages also are available and include access to an exclusive post-performance reception with Rivera.
* Chita Rivera > Octubre 7 > More info > Chita.
* Chita Rivera > Octubre 7 > More info > Chita.
