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Showing posts with label latino cinema. Show all posts
Showing posts with label latino cinema. Show all posts
CINE: YOUR GUIDE TO LATINBEAT 2014
Posted by LATINO EVENTS Y TESPIS MAGAZINE
on
Saturday, July 5, 2014
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america latina,
azul no tan rosa,
casa grande,
cine,
cine latino,
film,
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gay,
latin beat,
latinbeat,
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latinoamerica,
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Llegó una de las fiestas cinematográficas más esperadas de Nueva York con una cartelera estupenda de 16 películas de América Latina. La serie LATINBEAT de la Film Society celebra este año su 15ta edición con una mayoría de filmes realizados por talento emergente pero ya galardonado mundialmente. Desde acá les enviamos nuestras felicitaciones por estos 15 fructíferos años y que se multipliquen!.
Marcela Goglio, la Programadora de LATINBEAT destaca la variedad y gran producción del cine latinoamericano desde que comenzó el auge del cine de la región a comienzos de los 90' sin perder aquel espíritu de un "renacimiento cinemático perpetuo".
Así, es esta edición del LATINBEAT tenemos películas tales como My Straight Son (foto), de Miguel Ferrari, la primera película venezolana en ganar el Premio Goya 2013 a la mejor película hispanoamericana; Casa Grande, del brasileño Fellipe Barbosa, un hit en el Festival de Rotterdam; Natural Sciences del argentino Matías Lucchesi, ganadora del Grand Prix de la Generation Kplus en la Berlinale; We Are Mari Pepa, del mexicano Samuel Kishi Leopo; The Searches del también mexicano Jose Luis Valle; Holiday, una co-producción Ecuador/Argentina de Diego Araujo; Cristo Rey, de Leticia Tonos Paniagua, la primera directora de la República Dominicana; All About the Feathers, de Neto Villalobos (Costa Rica). También esperamos el retorno de la mexicana Mariana Chenillo con su nueva peli, Paradise. Y para terminar cabe mencionar a los brasileños Marcelo Gomes y Cao Guimarães que nos traen una adaptación de un cuento del poeta Edgar Allan Poe en The Man of the Crowd.
La edición 2014 de LATINBEAT promete darnos un banquete a los cinéfilos de la Gran Manzana del 11 al 20 de Julio en el Lincoln Center.
Pueden ver el trailer de la serie debajo o siguiendo el enlace > Trailer.
Toda la información sobre LATINBEAT debajo o sigan el enlace > LatinBeat.
FILM DESCRIPTIONS & SCHEDULE
* Casa Grande (Opening Night)Fellipe Barbosa, Brazil, 2014, DCP, 114m
Portuguese with English subtitles
Set in Rio, Fellipe Barbosa’s long-awaited fiction debut is a clear-eyed, empathetic portrait of a teenager who strives to transcend the limitations of his upper-middle-class family life. Seventeen-year-old Jean (an outstanding Thales Cavalcanti) contends with pressure from parental expectations, university entrance exams, and the surprising discovery of a family financial crisis in this tender, beautifully written coming-of-age story that deftly explores class differences and racism in Brazil today.
Friday, July 11, 6:15pm
Monday, July 14, 8:30pm
* All About the Feathers / Por las plumas
Neto Villalobos, Costa Rica, 2013, DCP, 85m
Spanish with English subtitles
Chalo is inseparable from his friend Rocky, a fighting cock he acquires to bring some excitement into his boring life as a security guard. But what Rocky brings is in fact an unexpected set of screwball adventures. Cockfighting is illegal but has a passionate following in the small Costa Rican town where Chalo lives (the film tastefully keeps the action offscreen). Neto Villalobos’s winning, dryly funny debut feature renders that world with genuine flavor and charm by a cast made up of mostly nonprofessional actors.
Thursday, July 17, 6:30pm
* Cristo Rey
Leticia Tonos Paniagua, Dominican Republic, 2013, DCP, 96m
Spanish with English subtitles
In 2011, Leticia Tonos Paniagua was the first Dominican woman to direct a feature film in her country. Her follow-up, a contemporary take on Romeo and Juliet, tackles with sensitivity and a sense of urgency the tough subject of Haitian immigration in the Dominican Republic, where about one million exiles currently reside. Set in the Cristo Rey neighborhood, which is rampant with crime and police corruption, this love story between a teenager of mixed Haitian/Dominican descent and a drug lord’s sister powerfully combines a genuine feel for barrio life with the quick pace and sense of impending danger of a thriller, all the while exploring the implications of racism and xenophobia on this island divided in two.
Saturday, July 12, 6:30pm
Sunday, July 13, 4:00pm
* Dust on the Tongue / Tierra en la lenguaRubén Mendoza, Colombia, 2014, DCP, 89m
Spanish with English subtitles
Despite family patriarch Don Silvio’s abusive behavior toward friends and family, his magnetism has allowed him to remain the center of attention his entire life. When his death is imminent, he makes an unusual request—he asks two of his grandchildren to help him die. Will they take revenge? With an impeccable direction of actors and a seamless flow between fiction, documentary, and mockumentary, Mendoza displays surprising skill and boldness as he navigates the sensitive subject of veiled hostility between parents and offspring.
Saturday, July 12, 4:00pm
Sunday, July 13, 8:40pm
* Holiday / Feriado
Diego Araujo, Ecuador/Argentina, 2013, DCP, 82m
Spanish with English subtitles
Thursday, July 17, 6:30pm
* Cristo Rey
Leticia Tonos Paniagua, Dominican Republic, 2013, DCP, 96m
Spanish with English subtitles
In 2011, Leticia Tonos Paniagua was the first Dominican woman to direct a feature film in her country. Her follow-up, a contemporary take on Romeo and Juliet, tackles with sensitivity and a sense of urgency the tough subject of Haitian immigration in the Dominican Republic, where about one million exiles currently reside. Set in the Cristo Rey neighborhood, which is rampant with crime and police corruption, this love story between a teenager of mixed Haitian/Dominican descent and a drug lord’s sister powerfully combines a genuine feel for barrio life with the quick pace and sense of impending danger of a thriller, all the while exploring the implications of racism and xenophobia on this island divided in two.
Saturday, July 12, 6:30pm
Sunday, July 13, 4:00pm
* Dust on the Tongue / Tierra en la lenguaRubén Mendoza, Colombia, 2014, DCP, 89m
Spanish with English subtitles
Despite family patriarch Don Silvio’s abusive behavior toward friends and family, his magnetism has allowed him to remain the center of attention his entire life. When his death is imminent, he makes an unusual request—he asks two of his grandchildren to help him die. Will they take revenge? With an impeccable direction of actors and a seamless flow between fiction, documentary, and mockumentary, Mendoza displays surprising skill and boldness as he navigates the sensitive subject of veiled hostility between parents and offspring.
Saturday, July 12, 4:00pm
Sunday, July 13, 8:40pm
* Holiday / Feriado
Diego Araujo, Ecuador/Argentina, 2013, DCP, 82m
Spanish with English subtitles
Sixteen-year-old Juan Pablo travels to the remote family hacienda in the Andes, where his uncle, who is involved in a corruption scandal, has taken refuge with his wife and teenage children. It is the carnival holiday of 1999, days before the collapse of Ecuador’s banking system. There, Juan Pablo meets Juano, an enigmatic, self-assured heavy-metal fan from the nearby pueblo, who opens his eyes to an entirely new, liberating world. As his country and family is heading for the abyss, the two boys’ budding friendship develops into a fragile romance, and Juan Pablo is forced to define himself against his chaotic surroundings. Daniele Luppi, who has collaborated with Norah Jones, Jack White, Ennio Morricone, and Gnarls Barkley, composed the score.
Tuesday, July 15, 4:30pm
Wednesday, July 16, 6:15pm
* The Man of the Crowd / O Homem das Multidões
Marcelo Gomes & Cao Guimarães, Brazil, 2013, DCP, 95m
Portuguese with English subtitles
Tuesday, July 15, 4:30pm
Wednesday, July 16, 6:15pm
* The Man of the Crowd / O Homem das Multidões
Marcelo Gomes & Cao Guimarães, Brazil, 2013, DCP, 95m
Portuguese with English subtitles
Loosely based on Edgar Allan Poe’s story of the same name, Marcelo Gomes and Cao Guimarães—two of the most interesting filmmakers working in Brazil today—have crafted an elegant, parsimonious, and formally impeccable story of Juvenal, a lonely train driver in Belo Horizonte, and his encounter with Margo, a station controller. Emphasizing the theme of alienation in Poe’s story (and revealing Guimarães’s work as a visual artist), the two directors opted for an unusual format, about a 3:3.5 ratio, which intriguingly makes the film resemble a Polaroid. Juvenal and Margo, who each embody a different form of urban solitude, have been brought together in this beautifully composed ode to friendship. A Curator Films Release.
Saturday, July 19, 1:00pm
Sunday, July 20, 6:15pm
* Mateo
Maria Gamboa, Colombia/France, 2014, DCP, 86m
Spanish with English subtitles
Saturday, July 19, 1:00pm
Sunday, July 20, 6:15pm
* Mateo
Maria Gamboa, Colombia/France, 2014, DCP, 86m
Spanish with English subtitles
Sixteen-year-old Mateo infiltrates a theater group in the violent neighborhood where he lives, and reports on the political activities of its members. But his perspective on the nature of their creative work begins to shift when he falls for a beautiful girl in the troupe. Gamboa’s tough but spirited music-infused tale is based on real-life experiences.
Sunday, July 13, 1:30pm
Tuesday, July 15, 6:30pm
* The Militant / El lugar del hijo
Manuel Nieto, Uruguay, 2013, DCP, 121m
Spanish with English subtitles
Ariel, a student leading a 2002 occupation at a Montevideo university, receives news of his father's death in Salto. Leaving the city and all its protests and solidarity movements behind, Ariel embarks on a very personal journey as he settles into the tranquil countryside—an area under-explored in Uruguayan cinema—and learns that he has to manage his father’s inheritance, including his debts and a lover who’s still living in his house. In this fascinating story of rebirth, Nieto crafts a clever metaphor for the country of Uruguay, which its youth will someday inherit and have to learn how to manage, in their own search for restoration.
Thursday, July 17, 8:45pm
Friday, July 18, 4:00pm
* My Straight Son/Azul, No Tan Rosa
Miguel Ferrari, Venezuela, 2013, 35mm, 113m
Spanish with English subtitles
Famous telenovela actor Miguel Ferrari’s debut feature, which won Best Iberoamerican Film at this year’s Goya Awards (the Spanish Oscars), is the first Venezuelan film to openly deal with gay and transgender issues—still mostly taboo in the country. While telling the story of the romantic relationship between a fashion photographer (Guillermo García) a handsome surgeon (Sócrates Serrano), the film also explores with great panache and lots of heart an array of other topics, including teenage love, homophobia, and what it’s like to be a gay parent to an estranged teenage son. Proudly sentimental and reminiscent of Almodóvar’s early melodramas, but also taut, polished, and sexy, My Straight Son features performances by many of Venezuela’s TV personalities. A TLA Releasing release.
Thursday, July 17, 3:30pm
Saturday, July 19, 8:30pm
* Natural Sciences / Ciencias Naturales
Matías Lucchesi, Argentina/France, 2014, DCP, 71m
Spanish with English subtitles
Determined to find the father she never knew, 12-year-old Lila (Paula Hertzog) escapes her remote boarding school tucked away in the impressive Sierra de Córdoba mountains. This sweet coming-of-age story about love and perseverance won Berlin’s Generation Kplus Grand Prix as well as Best Film, Best Screenplay, and Best Actress at the Guadalajara Film Festival this year.
Friday, July 11, 9:15pm
Monday, July 14, 6:20pm
* Paradise / Paraíso
Mariana Chenillo, Mexico, 2013, DCP, 105m
Spanish with English subtitles
Friday, July 11, 9:15pm
Monday, July 14, 6:20pm
* Paradise / Paraíso
Mariana Chenillo, Mexico, 2013, DCP, 105m
Spanish with English subtitles
Mariana Chenillo’s sophomore feature displays a warmth and delight in life that couldn't be further from the dark humor of her acclaimed debut, Nora’s Will (Latinbeat ’09). This unpretentious romantic comedy about a happy overweight couple from the suburban middle-class neighborhood Satelite (the “paradise” of the title) takes refreshingly unexpected turns, as their move to Mexico City launches them both on a journey of self-discovery.
Friday, July 18, 9:00pm
Sunday, July 20, 3:30pm
* Reimon
Rodrigo Moreno, Argentina/Germany, 2014, DCP, 72m
Spanish with English subtitles
Documentary and fiction are almost indistinguishable in this minimalist but powerfully eloquent film by the director of El custodio and Un mundo misterioso. Moreno closely observes the daily routines of Reimon, a young woman from northeastern Argentina who commutes long distances from her suburban neighborhood to her job cleaning houses in Buenos Aires. In one of these homes, a young couple read passages from Marx’s Das Kapital out loud as she dusts and cooks... And though the film is practically silent, staying true to Reimon’s introspective cadence, the juxtaposition of her daily reality with that of her employers says it all.
Friday, July 18, 6:45pm
Sunday, July 20, 8:30pm
* Root / Raiz
Matías Rojas Valencia, Chile, 2013, DCP, 87m
Spanish with English subtitles
In this hypnotic story of redemption and rebirth, a young woman embarks on a road trip through lush remote locations in southern Chile to find the father of a recently orphaned child. Having just returned from the city to the hostile environment of her home in Puerto Varas, Amalia leaves again with 9-year-old Cristobál on a dilapidated truck. The two clash, bond, and grieve in the almost mystical qualities of the region’s breathtaking natural beauty. In his impressive debut feature, Matías Rojas Valencia tells an intensely moving story with very few elements, skillfully incorporating the natural setting as a mirror through which we can witness the characters’ deep inner transformations.
Saturday, July 12, 1:30pm
Wednesday, July 16, 8:30pm
* The Searches / Las búsquedas
Jose Luis Valle, Mexico, 2013, DCP, 77m
Spanish with English subtitles
The parallel stories of a widow and a widower come together in the elegant and sober second feature by the award-winning Jose Luis Valle, a director of Salvadoran-Mexican descent. Made in just seven days, and shot in black-and-white, with a budget of $1,500, the film exhibits that a large part of Valle’s talent resides in his capacity to tell a taut, polished, and intriguing story with the fewest of elements—great and renowned Mexican actors notwithstanding (Gustavo Sánchez Parra, Arcelia Ramírez, Gabino Rodríguez). Chance, revenge, solitude, and redemption are some of the themes explored by this small gem of a film.
Saturday, July 19, 6:00pm
* The Summer of Flying Fish / El verano de los peces voladores
Marcela Said, Chile/France, 2013, DCP, 95m
Spanish with English subtitles
Don Francisco is celebrated for the effective if increasingly violent ways he employs to exterminate the carp that overpopulate the artificial lake on his property in the majestically beautiful areas of Curarrehue, Coñaripe, and Liquiñe in southern Chile. His beloved 16-year-old daughter, Manena, seems to be the only one aware of the growing tension surrounding them, as the demands of the Mapuche Indians that have lived and worked in the area for centuries have gone unheard for too long. Said brings her sharp observational skills as a documentarian to this fiction/nonfiction hybrid, working on location with nonprofessional actors to create a quietly powerful denunciation of environmental destruction and social injustice. But she also succeeds in crafting a moving and vivid youth drama through Manena’s tricky predicament, caught between loyalty to her family and to what she knows is right.
Sunday, July 13, 6:30pm
Monday, July 14, 4:00pm
* We Are Mari Pepa / Somos Mari Pepa
Samuel Kishi Leopo, Mexico, 2013, DCP, 95m
Spanish with English subtitles
Friday, July 18, 9:00pm
Sunday, July 20, 3:30pm
* Reimon
Rodrigo Moreno, Argentina/Germany, 2014, DCP, 72m
Spanish with English subtitles
Documentary and fiction are almost indistinguishable in this minimalist but powerfully eloquent film by the director of El custodio and Un mundo misterioso. Moreno closely observes the daily routines of Reimon, a young woman from northeastern Argentina who commutes long distances from her suburban neighborhood to her job cleaning houses in Buenos Aires. In one of these homes, a young couple read passages from Marx’s Das Kapital out loud as she dusts and cooks... And though the film is practically silent, staying true to Reimon’s introspective cadence, the juxtaposition of her daily reality with that of her employers says it all.
Friday, July 18, 6:45pm
Sunday, July 20, 8:30pm
* Root / Raiz
Matías Rojas Valencia, Chile, 2013, DCP, 87m
Spanish with English subtitles
In this hypnotic story of redemption and rebirth, a young woman embarks on a road trip through lush remote locations in southern Chile to find the father of a recently orphaned child. Having just returned from the city to the hostile environment of her home in Puerto Varas, Amalia leaves again with 9-year-old Cristobál on a dilapidated truck. The two clash, bond, and grieve in the almost mystical qualities of the region’s breathtaking natural beauty. In his impressive debut feature, Matías Rojas Valencia tells an intensely moving story with very few elements, skillfully incorporating the natural setting as a mirror through which we can witness the characters’ deep inner transformations.
Saturday, July 12, 1:30pm
Wednesday, July 16, 8:30pm
* The Searches / Las búsquedas
Jose Luis Valle, Mexico, 2013, DCP, 77m
Spanish with English subtitles
The parallel stories of a widow and a widower come together in the elegant and sober second feature by the award-winning Jose Luis Valle, a director of Salvadoran-Mexican descent. Made in just seven days, and shot in black-and-white, with a budget of $1,500, the film exhibits that a large part of Valle’s talent resides in his capacity to tell a taut, polished, and intriguing story with the fewest of elements—great and renowned Mexican actors notwithstanding (Gustavo Sánchez Parra, Arcelia Ramírez, Gabino Rodríguez). Chance, revenge, solitude, and redemption are some of the themes explored by this small gem of a film.
Saturday, July 19, 6:00pm
* The Summer of Flying Fish / El verano de los peces voladores
Marcela Said, Chile/France, 2013, DCP, 95m
Spanish with English subtitles
Don Francisco is celebrated for the effective if increasingly violent ways he employs to exterminate the carp that overpopulate the artificial lake on his property in the majestically beautiful areas of Curarrehue, Coñaripe, and Liquiñe in southern Chile. His beloved 16-year-old daughter, Manena, seems to be the only one aware of the growing tension surrounding them, as the demands of the Mapuche Indians that have lived and worked in the area for centuries have gone unheard for too long. Said brings her sharp observational skills as a documentarian to this fiction/nonfiction hybrid, working on location with nonprofessional actors to create a quietly powerful denunciation of environmental destruction and social injustice. But she also succeeds in crafting a moving and vivid youth drama through Manena’s tricky predicament, caught between loyalty to her family and to what she knows is right.
Sunday, July 13, 6:30pm
Monday, July 14, 4:00pm
* We Are Mari Pepa / Somos Mari Pepa
Samuel Kishi Leopo, Mexico, 2013, DCP, 95m
Spanish with English subtitles
As the school year ends, the 16-year-olds who make up the title punk band are free to skateboard, play soccer, and rehearse the one—obscene yet catchy—song they’ve written. Samuel Kishi Leopo vividly captures the carefree spirit of the teenagers' summer vacation, with closely observed, carefully drawn characters and a pitch-perfect score (by his brother Kenji Kishi). The summer finally ends and the leisurely days—palpitating with music, desire, and camaraderie—give way to reality, bringing this vibrant portrait of youth at a pivotal moment full circle. A FiGa Films release.
Saturday, July 12, 9:00pm
Tuesday, July 15, 8:30pm
Friday, July 11
6:15PM Casa Grande (114m)
9:15PM Natural Sciences (71m)
Saturday, July 12
1:30PM Root (87m)
4:00PM Dust on the Tongue (89m)
6:30PM Cristo Rey (96m)
9:00PM We Are Mari Pepa (95m)
Sunday, July 13
1:30PM Mateo (86m)
4:00PM Cristo Rey (96m)
6:30PM The Summer of Flying Fish (95m)
8:40PM Dust on the Tongue (89m)
Monday, July 14
4:00PM The Summer of Flying Fish (95m)
6:20PM Natural Sciences (71m)
8:30PM Casa Grande (114m)
Tuesday, July 15
4:30PM Holiday (82m)
6:30PM Mateo (86m)
8:30PM We Are Mari Pepa (95m)
Wednesday, July 16
6:15PM Holiday (82m)
8:30PM Root (87m)
Thursday, July 17
3:30PM My Straight Son (113m)
6:30PM All About the Feathers (85m)
8:45PM The Militant (121m)
Friday, July 18
4:00PM The Militant (121m)
6:45PM Reimon (72m)
9:00PM Paradise (105m)
Saturday, July 19
1:00PM The Man of the Crowd (95m)
6:00PM The Searches (77m)
8:30PM My Straight Son (113m)
Sunday, July 20
3:30PM Paradise (105m)
6:15PM The Man of the Crowd (95m)
8:30PM Reimon (72m)
Tuesday, July 15, 8:30pm
MOVIES AND DATES ONLY
Friday, July 11
6:15PM Casa Grande (114m)
9:15PM Natural Sciences (71m)
Saturday, July 12
1:30PM Root (87m)
4:00PM Dust on the Tongue (89m)
6:30PM Cristo Rey (96m)
9:00PM We Are Mari Pepa (95m)
Sunday, July 13
1:30PM Mateo (86m)
4:00PM Cristo Rey (96m)
6:30PM The Summer of Flying Fish (95m)
8:40PM Dust on the Tongue (89m)
Monday, July 14
4:00PM The Summer of Flying Fish (95m)
6:20PM Natural Sciences (71m)
8:30PM Casa Grande (114m)
Tuesday, July 15
4:30PM Holiday (82m)
6:30PM Mateo (86m)
8:30PM We Are Mari Pepa (95m)
Wednesday, July 16
6:15PM Holiday (82m)
8:30PM Root (87m)
Thursday, July 17
3:30PM My Straight Son (113m)
6:30PM All About the Feathers (85m)
8:45PM The Militant (121m)
Friday, July 18
4:00PM The Militant (121m)
6:45PM Reimon (72m)
9:00PM Paradise (105m)
Saturday, July 19
1:00PM The Man of the Crowd (95m)
6:00PM The Searches (77m)
8:30PM My Straight Son (113m)
Sunday, July 20
3:30PM Paradise (105m)
6:15PM The Man of the Crowd (95m)
8:30PM Reimon (72m)
COMIENZA EL 1er FESTIVAL DE CINE COLOMBIANO DE NYC
Posted by LATINO EVENTS Y TESPIS MAGAZINE
on
Wednesday, March 20, 2013
, under
cine,
colombian cinema,
Colombian Film Festival,
film,
film fest,
juan carvajal,
latino cinema,
nyc,
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We are a little bit richer today in NYC. The First Colombian Film Festival adds a new layer and a new perspective to our multicultural existence where we can already enjoy festivals devoted to Spanish, Mexican, Peruvian, Ecuadorian, Puerto Rican and Dominican filmmaking. Colombians are one of the biggest community in NYC and we welcome the Colombian Film Festival and wish them much success.
The festival program will have feature films, documentaries, shorts, forums, US and World Premieres and some press conferences. Juan Carvajal, director of the festival, said “this is an unbelievable opportunity to feature the best of Colombia’s cinema at the Big Apple; this is a turning point for Colombian filmmaking to showcase just days before the prestigious Tribeca Film Festival”. We agree. Exitos!.
The Colombian Film Festival > Tribeca Cinemas in New York City > March 20 - 24. For more information please visit: colfilmny.com .
The Colombian Film Festival > Tribeca Cinemas in New York City > March 20 - 24. For more information please visit: colfilmny.com . Here is a sample of what is coming:
US Premieres
* Lo Azul del Cielo- 2013 (Director Juan Alfredo Uribe) CAMILO is a 23 year-old member of the middle class in Medellin, Colombia. After serving in the army, he returns home eager to make a new life for himself. His relationship with his family is a source of constant conflict, and finally they give him an ultimatum: find a job or move out. He spends most of his time playing in a neighborhood indoor soccer league, and there, in a stroke of luck, his coach BERRI offers him an opportunity to make some easy money. For CAMILO, however, this new opportunity is morally objectionable and one he initially rejects. In a fateful decision, eventually he concedes and decides to accept the job, thereby involving himself in an uncomfortable, not to mention illegal, situation.
Later on CAMILO meets SOL, a young girl studying classical music at the local university. Immediately he becomes infatuated with her, intent on learning everything about her. They fall in love. Eager to shed the ghosts of his past, CAMILO forges a new identity for himself but eventually someone returns from his past threatening to untangle CAMILO’S web of lies and reveal his true identity to SOL. Can CAMILO fight of his ghosts and keep his new life on track?
* Apatia – 2012 (Director Arturo Ortegón) The action takes place during Easter week. In this short time, plenty happens. Julián is a writer who has lost interest in life and contemplates committing suicide as a last gesture of inconformity; at the same time, his friend travels to the coast for no particular reason other than to assuage his boredom. Julian’s tragic end forces his friend to literally pull over and try to wrap his head around what has happened. But his words only serve to echo the emptiness felt by a generation teetering on the brink of nothingness.
* Sofia y El Terco -2012 (Director Andrés Burgos) Sofia and her husband live in a small village in the Colombian countryside. Their life has just been a long repetition of facts for years. They grew here, married and they know everybody in the village. He is the owner of a grocery store. She makes everything in their house: she chooses his clothes in the morning, prepares breakfast, lunch and dinner, feeds the birds, cleans… And she has an old dream: she wants to go to the sea whereas she has always known mountains. But Gustavo always has good reasons to delay the trip. He cannot let his grocery store; his employee cannot get by himself… So that Sofia will need a help, from her friend Mercedes for example. Or she will have to take charge.
World Premieres
* Maybe Tomorrow- 2012- (Michael Wolfe) Three men. One night. A crime that would sever their friendships but connect them to each other for life. After spending the last fifteen years trying to deny it, they will finally be forced to revisit the one night that changed their lives. Facing a lengthy prison sentence, RUSS MAHLER, a career criminal armed with a destructive secret, blackmails the only man that can get him off the hook, Manhattan District Attorney GRAHAM SEIFERT, whose Chief of Staff EVAN MIDLAND is called upon to facilitate a resolution. With his hands tied, Graham has Russ acquitted and upon Evan’s insistence, invites him out to his Hampton beach house for the weekend where the three of them will finally attempt to bury a memory that still haunts them. Once reunited, catharsis erupts and everything pours out…why Russ made the decision that would destroy his life, how Evan betrayed him and why Graham might resign as D.A. to play second fiddle to a corrupt Senator. In one night, they will confront the sins of their pasts, face the flawed men they are in the present and determine what they must do to secure a future where hopefully, a better version of themselves will be waiting.
* Volver a Morir – 2012 (Director Miguel Urrutia) Camila wakes up and does not know where she is, naked, next to Dario, a mysterious man who seduces her and in a moment of passion kills her. She returns back in time at the exact moment she wakes up and gets stuck in a dead end die again and again, however, every time she sees in the dark mind of the murderer keys to try to save his life.
Además:
* Chocó – 2012 (Director Johnny Hendrix) A hard-working woman with two children and a drunkard for a husband. In the mornings, Choco works in a gold mine along the San Juana River. In the afternoons she cleans clothes for richer families. And when her daughter turns 7, the only thing Choco wants is to buy her a birthday cake, a humble wish that could change her life. Chocó is the story of a woman from the rural areas in the pacific coast of Colombia, subjugated by her husband and by the dominant male tradition from this part of the country. She portrays the life of many women who undergo violence and mistreatment at home not only in Colombia but in the entire World.
* 180 Segundos -2012 –(Director Alexander Giraldo) Zico is the leader of the most respected group of thieves in the city. His crimes are most of the time are perfect: no bullets, no wounded, not single evidence that could trace him back left behind. When his last job comes around, Zico and his sister Angelica hope to leave the country to start a new life. In order for Zico to complete this last job, he plans a robbery that must be completed in three exact minutes. However, behind his master plan, Zico does not see coming: a long lost love, a special unit of the police that has already targeted them and a soccer match that has the entire city’s attention. Zico’s life, his sister’s life and nine other people’s live cross paths in 180 seconds that show average human beings, that laugh, cry, love, want to love, steal and do not want to die. 180 Seconds will show the best and the worst in these human beings.
* La Lectora –2012 (Director Riccardo Gabrielli R) La Lectora is the story of a college girl that is kidnapped by chance, by a couple of bad guys, so she can translate a manuscript and confirm an urban legend. Somewhere in the city lies a treasure, a hidden briefcase. This mysterious manuscript tells the story of a couple, Karen, a stripper and Cachorro, a young and ambitious cab driver. They hide the briefcase in a secret location to escape an ambush. Now they will risk their lives in order to get to it, because it contains the longing of a new life. In reality and possible fiction, these two parallel stories will show the culture of ambition, wealthy pasts, uncertain futures, love and the dream of freedom.
* La Cara Oculta- 2011 (Director Andrés Baiz) An untrusting woman (Clara Lago) tests her boyfriend’s loyalty by concealing herself in a hidden room deep within their house, and makes a discovery that chills her to the core in this thriller from director Andres Baiz (Satanás). ~ Jason Buchanan, Rovi
* Porfirio - 2012 - (Alejandro Landes) Porfirio tells the story of Porfirio Ramirez, a man who became handicapped after a failed police operation where he was shot in the back in 1991. Because of this, Porfirio sues the state, but due to several problems with the case, the lawsuit gets closed. With no money, and many problems, Porfirio takes a risky decision with his son: Hijack a plane and demand a meeting with the President of Colombia to discuss his problems. Based in the true story of Porfirio Ramirez.
* Todos Tus Muertos -2011 (Carlos Moreno) Salvador is a peasant who one day wakes up as usual to work on his land but instead finds a pile of corpses in the middle of his crops. He runs to notify the authorities but is Sunday and Election Day so the dead ones end up being a nuisance that nobody wants to deal with.
* Sin Palabras -2012 (Diego Fernando Bustamante / Ana Sofía Osorio Ruiz) Raúl lives alone and works at a hardware store. Unhappy with the way his life has turned out, he waits for something or someone to come along and change it. One day, he notices a Chinese girl outside the store. She sits there for hours and Raúl’s curiosity is finally aroused. It turns out the girl doesn’t speak a word of Spanish ―hence the title―, but as they get to know each other, Raúl learns that Lian has entered Colombia illegally in the hope of eventually making it to the United States. The love affair they embark on will prompt Raúl to stop procrastinating and take control of his own life.
Plus Documentaries and Shorts. For more information please visit: colfilmny.com.
* Chocó – 2012 (Director Johnny Hendrix) A hard-working woman with two children and a drunkard for a husband. In the mornings, Choco works in a gold mine along the San Juana River. In the afternoons she cleans clothes for richer families. And when her daughter turns 7, the only thing Choco wants is to buy her a birthday cake, a humble wish that could change her life. Chocó is the story of a woman from the rural areas in the pacific coast of Colombia, subjugated by her husband and by the dominant male tradition from this part of the country. She portrays the life of many women who undergo violence and mistreatment at home not only in Colombia but in the entire World.
* 180 Segundos -2012 –(Director Alexander Giraldo) Zico is the leader of the most respected group of thieves in the city. His crimes are most of the time are perfect: no bullets, no wounded, not single evidence that could trace him back left behind. When his last job comes around, Zico and his sister Angelica hope to leave the country to start a new life. In order for Zico to complete this last job, he plans a robbery that must be completed in three exact minutes. However, behind his master plan, Zico does not see coming: a long lost love, a special unit of the police that has already targeted them and a soccer match that has the entire city’s attention. Zico’s life, his sister’s life and nine other people’s live cross paths in 180 seconds that show average human beings, that laugh, cry, love, want to love, steal and do not want to die. 180 Seconds will show the best and the worst in these human beings.
* La Lectora –2012 (Director Riccardo Gabrielli R) La Lectora is the story of a college girl that is kidnapped by chance, by a couple of bad guys, so she can translate a manuscript and confirm an urban legend. Somewhere in the city lies a treasure, a hidden briefcase. This mysterious manuscript tells the story of a couple, Karen, a stripper and Cachorro, a young and ambitious cab driver. They hide the briefcase in a secret location to escape an ambush. Now they will risk their lives in order to get to it, because it contains the longing of a new life. In reality and possible fiction, these two parallel stories will show the culture of ambition, wealthy pasts, uncertain futures, love and the dream of freedom.
* La Cara Oculta- 2011 (Director Andrés Baiz) An untrusting woman (Clara Lago) tests her boyfriend’s loyalty by concealing herself in a hidden room deep within their house, and makes a discovery that chills her to the core in this thriller from director Andres Baiz (Satanás). ~ Jason Buchanan, Rovi
* Porfirio - 2012 - (Alejandro Landes) Porfirio tells the story of Porfirio Ramirez, a man who became handicapped after a failed police operation where he was shot in the back in 1991. Because of this, Porfirio sues the state, but due to several problems with the case, the lawsuit gets closed. With no money, and many problems, Porfirio takes a risky decision with his son: Hijack a plane and demand a meeting with the President of Colombia to discuss his problems. Based in the true story of Porfirio Ramirez.
* Todos Tus Muertos -2011 (Carlos Moreno) Salvador is a peasant who one day wakes up as usual to work on his land but instead finds a pile of corpses in the middle of his crops. He runs to notify the authorities but is Sunday and Election Day so the dead ones end up being a nuisance that nobody wants to deal with.
* Sin Palabras -2012 (Diego Fernando Bustamante / Ana Sofía Osorio Ruiz) Raúl lives alone and works at a hardware store. Unhappy with the way his life has turned out, he waits for something or someone to come along and change it. One day, he notices a Chinese girl outside the store. She sits there for hours and Raúl’s curiosity is finally aroused. It turns out the girl doesn’t speak a word of Spanish ―hence the title―, but as they get to know each other, Raúl learns that Lian has entered Colombia illegally in the hope of eventually making it to the United States. The love affair they embark on will prompt Raúl to stop procrastinating and take control of his own life.
Plus Documentaries and Shorts. For more information please visit: colfilmny.com.
IN FOCUS: 10 YEARS OF CINEMA TROPICAL AT MOMA
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Tuesday, May 10, 2011
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La primera década del siglo 21 ha visto un resurgimiento sin precedentes del cine latinoamericano ayudado en gran parte por la ola del nuevo cine argentino, jóvenes realizadores y modelos de producción híbridos. Cinema Tropical, organización sin fines de lucro fundada hace ya 10 años por Carlos Gutiérrez y Monika Wagenberg, ha jugado un rol esencial en la distribución y promoción en los Estados Unidos de lo mejor de éste renacimiento. El Moma presenta un merecido homenaje a esta organización, presentando una selección de las mejores producciones promovidas por ella en su programa IN FOCUS: CINEMA TROPICAL, que se lleva a cabo del 4 al 15 de Mayo en las instalaciones del museo en NYC. Desde aquí también felicitamos a Cinema Tropical por su tremenda labor en la promoción y difusión de o mejor de nuestro cine.
El programa presenta varias de las mejores producciones del cine contemporáneo de Argentina, Brasil, Colombia, Chile, México y Uruguay. Aqui sus descripciones y horarios (en Inglés):
* Historias extraordinarias (Extraordinary Stories). Directed by Mariano Llinás. 2008. Argentina. With
Walter Jakob, Agustín Mendilaharzu, Mariano Llinás.
Three unconnected tales, each featuring a main character --a man known only as X, Z, and H-- branch out into a labyrinth of plots and subplots in a narrative that moves from a small town in Argentina to Africa and back. Mariano Llinás’s four-hour film Extraordinary Stories is the single most accomplished work in recent Argentine cinema, and an audacious and exceptional celebration of the art of storytelling in cinema. In Spanish; English subtitles. 245 min.
Wednesday, May 4, 2:00 (T1) (Introduced by Llinás); Thursday, May 5, 6:00 (T1) (Introduced
by Llinás); Friday, May 6, 3:00 (T1); Saturday, May 7, 1:00 (T2); Sunday, May 8, 4:00 (T2);
Monday, May 9, 4:00
* Turistas. Written and Directed by Alicia Scherson. 2009. Chile. With Carla Aline Kuppenheim, Joel Marcelo Alonso, Ulrik Diego Noguera.
Carla, a woman in her mid-thirties, is ditched by her husband on the road after a heated argument on their
way to vacation, so she decides to continue the trip by herself. She arrives at a beautiful and lush National Park, where a series of incidents and meetings with people will make her embark on a personal adventure.
This enticingly fresh take on the road movie by Chilean director Scherson (Play) becomes a resonant meditation on emotion. In Spanish; English subtitles. 105 min.
Wednesday, May 4, 7:00 (T1) (Introduced by Scherson); Saturday, May 14, 4:00
* Trópico de Cáncer (Tropic of Cancer). Directed by Eugenio Polgovsky. 2004. Mexico.
A poignant and powerful documentary, Trópico de Cáncer is a meticulous account of the perilous conditions of a group of families living in the arid desert. In their quest for survival they hunt animals to sell on the highway. Visually astonishing and with a surprising narrative drive, the film is Polgovsky’s documentary debut, and with his follow-up film The Inheritors has established him as one of Mexico’s most promising documentary filmmakers. Minimal dialogue in Spanish; English subtitles. 52 min.
Thursday, May 5, 4:00 (T1); Saturday, May 14, 2:00
* Copacabana. Directed by Martín Rejtman. 2007. Argentina.
Taking as its point of departure the annual celebration of the Virgin of Copacabana in a Bolivian neighborhood in Buenos Aires, Martín Rejtman’s first incursion into nonfiction filmmaking threads a sober and meticulous portrait of the Bolivian community in Argentina. With an impressively detailed mise-en-scène and minimal dialogue, Rejtman’s work is playfully structured in reverse, as the film begins with the festivities, follows with the rehearsals and ends in the original journey of the immigrants from one country to the other. 56 min. In Spanish; English subtitles.
* Entrenamiento elemental para actores (Elementary Training for Actors). Written and Directed by Martín Rejtman and Federico León. 2009. Argentina. With Fabián Arenillas, Ulises Bercovich, Luca Damperat.
Rejtman, a long-time favorite of Cinema Tropical (the organization released his films Silvia Prieto and The Magic Gloves), is often referred to as the father of New Argentine Cinema. In this sharp and witty featurette, co-directed with Federico León, about a theater workshop for children lead by a fervent professor, Rejtman remains true to the minimalist deadpan humor that has distinguished his previous work. In Spanish; English subtitles. 52 min. New York premiere.
Friday, May 6, 8:00 (T1) (Introduced by Rejtman); Sunday, May 15, 5:30
* 25 Watts. Written and directed by Pablo Stoll and Juan Pablo Rebella. 2001. Uruguay. With Daniel Handler,
Jorge Temponi, Alfonso Tort.
2011 marks the 10th anniversary of 25 Watts, the auspicious debut for the Uruguayan duo Pablo Stoll and the late Juan Pablo Rebella that consolidated Uruguay’s influential participation in the recent revitalization of Latin American cinema. A wry, fresh, and funny Montevideo slacker comedy shot in black and white, 25 Watts launched Control Z Films, the production company created by Stoll, Rebella and Fernando Epstein which initiated a prolific and exciting period for young Uruguayan filmmakers. In Spanish; English subtitles. 94 min.
Sunday, May 8, 1:30 (T1); Monday, May 16, 8:00
* Santiago. Directed by João Moreira Salles. 2006. Brazil.
A touching documentary in which director Salles examines his family’s relationship with their now retired but still beloved butler Santiago. Not only did Santiago ably manage the Salles’ household, he also found time to catalogue the history of civilization in great detail in his personal journals. In English, Portuguese; English
subtitles. 80 min.
Wednesday, May 11, 6:00 (T2) (Introduced by Salles); Sunday, May 15, 3:30
* Toro negro. Directed by Pedro González-Rubio and Carlos Armella. 2005. Mexico.
Toro Negro gives deep insight into the life of Fernando Pacheco, a young hapless bullfighter who fights not in big arenas but at popular parties of small Mayan communities in the Yucatán Peninsula. Fernando is heart-warming and honest -- but also an alcoholic, violent and impulsive. Pedro González-Rubio (who later
directed the acclaimed Alamar) and Carlos Armella follow the character at intimate distance, showing raw human passion and conflicts with a disturbing closeness. In Spanish; English subtitles. 87 min.
Saturday, May 7, 8:00 (T1); Friday, May 13, 7:00 (T2) (Introduced by González-Rubio)
* Una semana solos (A Week Alone). Directed by Celina Murga. 2008. Argentina. With: Natalia Gómez Alarcón, Manuel Aparicio, Mateo Braun.
Celina Murga’s second feature film after her acclaimed Ana and the Others tells the story of a group of kids living in a gated community in suburban Buenos Aires that are left alone as their parents are off on holidays. Murga’s understated and rich portrait is a subtle depiction of class and childhood. In Spanish; English
subtitles. 110 min. Introduced by Murga.
Thursday, May 12, 4:30 (T1) (Introduced by Murga); Saturday, May 14, 8:00 (T1) (Introduced by Murga)
* El vuelco del cangrejo (Crab Trap). Written and directed by Oscar Ruiz Navia. 2009. Colombia. With Rodrigo Vélez, Arnobio Salazar Rivas, Jaime Andrés Castaño.
Daniel is a mysterious man from the city that arrives to an isolated village located on the Pacific Coast of Colombia and gets a temporary job whilst trying to flee. There he’ll encounter the Afro-Colombian traditions and how they’re challenged by recently arrived neighbors. With stunningly beautiful cinematography, Oscar Ruiz Navia’s debut feature film is exemplary of the up and coming Colombian cinema. In Spanish; English
subtitles. 95 min.
Thursday, May 12, 8:00 (T1); Monday, May 16, 4:00 (T2)
* O ceu de Suely (Love for Sale/ Suely in the Sky). Written and directed by Karim Aïnouz. 2006. Brazil.
With Hermila Guedes, Maria Menezes, Georgina Castro.
Karim Aïnouz, one of the filmmakers embodying the vitality of contemporary Brazilian cinema, creates a very different portrait of an indomitable survivor in this terrific follow-up to his internationally successful debut feature Madame Satã . Returning to her hometown in poor northeastern Brazil, Hermila (Hermila Guedes) awaits the arrival of her boyfriend, though her spunk and zest for life take on an increasingly desperate edge when it becomes clear that he will not be coming. The director’s major achievement is making the soulful decency of the townspeople, the empty landscape and rich colors an integral part of the characterization of Hermila, likeable even in her most desperately miscalculated actions of despair. In Portuguese; English subtitles. 88 min.
Friday, May 13, 4:30 (T1); Sunday, May 15, 1:00 (T2)
More info: MOMA.ORG
Fotos cortesía del MoMA
NEW: CALENDARIO DE CINE: NUEVA YORK, MARZO 2011.
Posted by LATINO EVENTS Y TESPIS MAGAZINE
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Monday, March 14, 2011
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FILM CALENDAR, NEW YORK, MARZO 2011
* NOSTALGIA FOR THE LIGHT de Patricio Guzmán | En Cartelera el 18 de Marzo @IFCcenter: http://bit.ly/1uKOVQ
* NUEVE REINAS/ NINE QUEENS. Parte de la Retrospectiva a Ricardo Darín | Marzo 16 @CervantesNY:http://bit.ly/9tiyzL
* MARIA BETHÂNIA: MUSIC IS PERFUME | Marzo 16 @92YTribeca: http://bit.ly/hXn9Wg
* The 1st Dominican Film Festival of Nueva York. Hasta el 17 de Marzo: http://dffny.com/
* Jubanos:The Jews of Cuba y La Higuera | NY Sephardic Jewish Film Festival. Marzo 13 y 16: http://bit.ly/gYTfLO
*VISUAL CULTURE and CONSTRUCTION OF IDENTITY IN MODERN SPAIN: King Juan Carlos Center, NYU. Varios martes hasta Mayo :http://bit.ly/eGXfbL
* Cinema Club. Film Series. Instituto Cervantes @CervantesNY: http://bit.ly/hUNJ7s
* TAMBIEN LA LLUVIA (Even The Rain) y CARANCHO @Angelika Film Center
* From Prada to Nada,, adaptación latina de Sense and Sensibility de Austen. Ahora en Cartelera: http://bit.ly/fGXpsg
* BIUTIFUL: La última de Javier Bardem: http://bit.ly/gf8Xsa. En Cartelera.
* RENDEZ-VOUS con el Cine Francés. Hasta Marzo 13. Lincoln_Center: http://bit.ly/e3NlaO
* 40th New Directors/New Films presentará 3 cintas de América Latina: Octubre, El Velador y Verano de Goliat @NDNF. Marzo 23 - Abril 3.
* OCTUBRE (2010, 93min) Directors: Daniel and Diego Vega
Country: Peru. Co-directed by brothers Daniel and Diego Vega. The film won the Jury Prize of the "Un Certain Regard" section of Cannes 2010.
* SUMMER OF GOLIATH (VERANO DE GOLIAT) (2010, 76min). Director: Nicolás Pereda. Country: Mexico/Canada/Netherlands.
* EL VELADOR (2011, 72min). Director: Natalia Almada
Country: Mexico.
Other movies include: MARGIN CALL; CIRCUMSTANCE; HAPPY, HAPPY; ATTENBERG; MICROPHONE; CURLING and 6, 7, 8,.. MoMA and Lincoln Center: http://bit.ly/gsaeHU.
* El 12th Havana Film Festival New York is coming! Abril 6 al 13 | @HFFNY: http://bit.ly/gRwo2m
* ENTREVISTA A JORGE MICHEL GRAU, DIRECTOR DE 'SOMOS LO QUE HAY'. Pulsa aqui
* ENTREVISTA A MARIANA CHENILLO, DIRECTORA DE 'NORA'S WILL'. Pulsa aqui
* NUEVE REINAS/ NINE QUEENS. Parte de la Retrospectiva a Ricardo Darín | Marzo 16 @CervantesNY:http://bit.ly/9tiyzL
* MARIA BETHÂNIA: MUSIC IS PERFUME | Marzo 16 @92YTribeca: http://bit.ly/hXn9Wg
* The 1st Dominican Film Festival of Nueva York. Hasta el 17 de Marzo: http://dffny.com/
* Jubanos:The Jews of Cuba y La Higuera | NY Sephardic Jewish Film Festival. Marzo 13 y 16: http://bit.ly/gYTfLO
*VISUAL CULTURE and CONSTRUCTION OF IDENTITY IN MODERN SPAIN: King Juan Carlos Center, NYU. Varios martes hasta Mayo :http://bit.ly/eGXfbL
* Cinema Club. Film Series. Instituto Cervantes @CervantesNY: http://bit.ly/hUNJ7s
* TAMBIEN LA LLUVIA (Even The Rain) y CARANCHO @Angelika Film Center
* From Prada to Nada,, adaptación latina de Sense and Sensibility de Austen. Ahora en Cartelera: http://bit.ly/fGXpsg
* BIUTIFUL: La última de Javier Bardem: http://bit.ly/gf8Xsa. En Cartelera.
* RENDEZ-VOUS con el Cine Francés. Hasta Marzo 13. Lincoln_Center: http://bit.ly/e3NlaO
* 40th New Directors/New Films presentará 3 cintas de América Latina: Octubre, El Velador y Verano de Goliat @NDNF. Marzo 23 - Abril 3.
* OCTUBRE (2010, 93min) Directors: Daniel and Diego Vega
Country: Peru. Co-directed by brothers Daniel and Diego Vega. The film won the Jury Prize of the "Un Certain Regard" section of Cannes 2010.
* SUMMER OF GOLIATH (VERANO DE GOLIAT) (2010, 76min). Director: Nicolás Pereda. Country: Mexico/Canada/Netherlands.
* EL VELADOR (2011, 72min). Director: Natalia Almada
Country: Mexico.
Other movies include: MARGIN CALL; CIRCUMSTANCE; HAPPY, HAPPY; ATTENBERG; MICROPHONE; CURLING and 6, 7, 8,.. MoMA and Lincoln Center: http://bit.ly/gsaeHU.
TESPIS ORIGINAL CONTENT
* ENTREVISTA A JORGE MICHEL GRAU, DIRECTOR DE 'SOMOS LO QUE HAY'. Pulsa aqui
* ENTREVISTA A MARIANA CHENILLO, DIRECTORA DE 'NORA'S WILL'. Pulsa aqui






















